This image is a general representation of the album cover, but the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. If the item offered is a used, second-hand item, please note that there may be some cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A stunning club groover that still holds up well after all these years! The album's title cut – the classic "I'm Caught Up (In A One Night Love Affair)" – has an incredibly tight groove, a catchy hook, and the best sort of New York sound – with tight instrumentation ... LP, Vinyl record album
Classic work from James "D Train" Williams – a return to strong male lead vocals in club-oriented soul music, backed by some great grooves that helped Williams break out of the club ghetto of some of his contemporaries on the Prelude label. Williams' key partner in the project is ... LP, Vinyl record album
A fantastic lost album by the great Gene Chandler – and one of his most sophisticated soul documents! The record was Gene's last album for Brunswick – issued shortly before Gene scored big once again on Mercury, which is why it's probably often lost in the shuffle of time. The record's ... LP, Vinyl record album
One of Jean's classic Philly albums, recorded after she left Doug Carn, and started to make records as a solo artist. The record's got stellar production by Gamble & Huff and Dexter Wansel, and features a nice mix of up-tempo cuts and mellow ones. With the monster "Don't Let it Go to ... LP, Vinyl record album
A real killer from Earland! The record swings incredibly hard, with a tight jazzy groove that sounds like his early work for Prestige from the first few albums. The band includes lesser known players like trumpeter Elmer Coles, alto player James Vass, and conga player Kenneth Nash – but ... LP, Vinyl record album
One of the last records that Booker Ervin ever recorded, and one of the best! There's a depth of tone and conception here that goes far beyond even Ervin's already-great albums for Prestige – a mix of modernism and soulful expression that really points the way towards jazz expression in the ... LP, Vinyl record album
Unlike the mellower Breeze from the East LP (another Tjader "eastern" session), this one's got some very lively Latiny stuff – despite the orientalist theme of the LP. There's a monster version of Horace Silver's "Tokyo Blues", plus takes of Lalo Schifrin's "The ... LP, Vinyl record album