This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
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then checkout as usual.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
We can never remember if Andre "late of Motown" Harrell was Mr. Hyde or Dr. Jeckyll. "AM-PM" has that classic old-school freestyle lyrics over heavy beats sound. Produced and cowritten by Kurtis Blow. 12-inch, Vinyl record
One of Larry Levan's biggest crossover moments – as "Don't Make Me Wait" has the Peech Boys breaking out of the Paradise Garage underground, into the mainstream of soul in the early 80s. Not much in the vocal department, but a catchy hook nonetheless, and with plenty of bubbly bass ... 12-inch, Vinyl record
One of the most romping tunes ever recorded by Prince – the kind of cut that was an instant dancefloor stormer back in the day, and still sounds mighty groovy all these many years later! The song is featured here in it's very extended version – and is backed by the fantastic non-LP cut ... 12-inch, Vinyl record