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All Good Men

LP (Item 407835) Warner, 1972 — Condition: Near Mint-
Temporarily Out Of Stock

LP, Vinyl record album

❔

A higher concept album than usual for the team of Beaver & Krause – a record that still features plenty of cool moog and electronics by the pair, but which also has them teamed up with arranger Jimmie Haskell in a set of tunes that mixes older themes with original numbers! A fair bit of tracks here have vocals – either by Krause, or by female vocalists Cris Williamson, Adrienne Anderson, or Elisabeth Wilson – plus the "celestial choir" on a few tracks. There's a hearkening back here that's a bit confused at some moments – mixing Scott Joplin with the then-common apology to Native American mode – but things sound best on the original numbers, which have picked up a groove a bit more than before, and even have some nice warmer tones we really like. Titles include the spacey spinner "Between The Sun & The Rain", plus "Loves Of Col Evol", "Sweet Williams", "Bluebird Canyon Stomp", "Looking Back Now", "Child Of Morning Sun", and "All Good Men".  © 1996-2019, Dusty Groove, Inc.
(Green label pressing.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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