Quite possibly the rarest session ever cut by Buddy Collette – a quartet session with an unusual group that includes Dick Shreve on piano, John Goodman on bass, and Bill Dolney on drums – all players that get past the usual west coast crew that Buddy mostly recorded with! The format here builds on Colette's work with the Chico Hamilton group – and features a number of sprightly tracks with flute in the lead, and Hamilton-like support from the rest of the group. But then there's other numbers that have Buddy more out front on alto sax – blowing with a nice raspy edge and a bit more of a bop feel that's mighty nice. Titles include "Flute In D", "Winston Walks", "If She Had Stayed", "Johnny Walks", "Three & One", "Perfida", "Morning Jazz", and "Perfida". (Original pressing with a deep groove. Vinyl has a mark that clicks on "Three And One". Cover has a light crease on one corner and a bit of pen on back.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.