This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Dark work from the quartet Bass Desires – a combo that draws heavily on the rumbling sounds of bassist Marc Johnson, then fills in the spaces with twin guitars from Bill Frisell and John Scofield, and also features a bit of drums from Peter Erskine! Some of the sounds here echo more abstract ... LP, Vinyl record album
A seminal statement from drummer Jack DeJohnette – a musician who'd already made a pretty big impact in the years before this set – but who really seemed to take off with his New Directions group on ECM! Every player in the lineup is a key sonic pioneer on their instrument – John ... LP, Vinyl record album
Double Image is Dave Samuels and David Friedman on vibes and marimba, Harvie Swartz on bass, and Michael Di Pasqua on drums. Songs include "Passage", "The Next Event", "Sunset Glow", and "Crossing". LP, Vinyl record album
A live set from 1980 – and one that shows the Art Ensemble still able to capture some of the warmth and imagination from their early years. Most tracks are fairly long, and the group move through their usual panopoly of instruments along the way. Titles include "Urban Magic", " ... LP, Vinyl record album
One of Enrico Rava's more over-the-top albums – recorded with a full-on trumpet sound that reminds us a bit of Freddie Hubbard in early CTI years, set into some harder jamming post-Miles arrangements! The backing is by a John Abercrombie on guitar, Palle Danielsoon on bass, and Jon ... LP, Vinyl record album
A great statement as a leader from drummer Paul Motian – a player that none would have expected to be hitting this territory in the decade before – the start of a great run of records that continued his break from more familiar rhythmic territory! The record's got a very strong ECM ... LP, Vinyl record album
Beautiful solo piano work from Paul Bley – spare, stark, and almost lovely – and a real contrast to some of his more aggressive experiments of the late 60s. The Bley here has almost a hint of sadness and longing, especially on the numbers that have him revisiting tunes he'd done on ... LP, Vinyl record album
8 rare unissued tracks from Coleman's brief stint at Columbia, and stuff that was recorded during the same period as his Skies of America and Science Fiction LPs. The groups on the record are strong, and the playing is mostly in a pre-Harmelodic vein. Players include Dewey Redman, Don Cherry, ... LP, Vinyl record album