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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A long-overdue recognition of the blues contributions of Willie Dixon – a set that pulls him out of the indie ghetto and pushes him firmly into the mainstream with this key release on Columbia Records! Yet despite that placement, the style is nicely down home – a strong recreation of ... LP, Vinyl record album
Big Mama Thornton gets a bit of an update – as her older blues style comes into play with a hip electrified lineup – one that features Paul Griffin on keyboards, Cornell Dupree on guitar, and Bad Bascomb on bass! The vibe is still plenty blues, but has an undercurrent of soul – ... LP, Vinyl record album
A great set of funky blues – put together by the enigmatic Buck DD Black, an artist who we kind of have a feeling is someone else more famous – given the way that the cover and notes seem to set him up! The set's got a nice funky soul feel – lots of earthy arrangements that kind ... LP, Vinyl record album
The one and only album ever cut by The Winstons – an obscure mixed-race soul combo who had roots in Otis Redding's touring band, and who hit big with a soul Grammy in 1969 for the title track to this one, "Color Him Father". The cut's an amazing document of its time, a sweet little ... LP, Vinyl record album
Pedicin was a studio player at Philly – with a sweeping saxophone sound that showed up in more than a few good licks on the label's big hits. This album's one of two that he cut as a headliner, and it's sort of a smooth jazz affair, with touches of instrumental Philly. The record's not ... LP, Vinyl record album