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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Al Green's last secular album for Hi Records – but still a nice little cooker that's overflowing with Memphis soul! As with Green's previous set for Hi, the album's produced by Al himself, and not Willie Mitchell – in a style that's a bit rougher, chunkier, and almost funkier than the ... LP, Vinyl record album
Hi Records perfection from the mighty Al Green – slightly later than some of his key early hits, but a record that shows Green still taking fire on all burners! Production is by the team of Al and Willie Mitchell – in a mode that's slightly fuller and more updated than before, but ... LP, Vinyl record album
Al takes over the whole deal with this one – as the record features him writing, producing, arranging, and even playing lead guitar – stepping out from under the protective wing of Willie Mitchell, and doing a surprisingly great job overall! Al does get a bit of help in the studio ... LP, Vinyl record album
A damn great bit of work from the legendary Al Green – maybe one of his best records ever – and in fact, maybe one of greatest soul albums of all time! The set's got a style that's really genre-defining – not the previous southern soul of a few years before, but also not the ... LP, Vinyl record album
Al Green's first LP – with a very different feel than his later work on Hi. The record's got a harder southern soul groove – almost in a Wilson Pickett/Arthur Conley mode, but with some sweeter elements in the backing. Al's voice is still incredible, although different than later, in ... LP, Vinyl record album
Hard to go wrong with Al Green at this point – 1973, when the mighty one was at the height of his secular soul powers – and when the sweetly compressed production style of Willie Mitchell just couldn't miss! There's a homey, earthy feel to the record that's really great – a sound ... LP, Vinyl record album
A stone killer from OV Wright – a record that's got all the raw, deeply soulful vocals we love in his early work – mixed with some wicked 70s Hi Records production from Willie Mitchell! Imagine an Al Green record, but with rawer vocals, and you've got a good idea of the feel of this ... LP, Vinyl record album
OV Wright at the end of the 70s – working live in front of a very enthusiastic Japanese crowd, and in a groove that's right up their with his best work from earlier in the decade! In fact, there's a rawness here that you won't always find on Wright's other records – great live backing ... LP, Vinyl record album
What a strange one! The title says "Willie Mitchell Live", but then the back says "All tracks previously released on Hi Records." Clearly, the Memphis bunch are knob-twiddling here, and adding fake applause to some of Willie's better instrumental moments from the old days. ... LP, Vinyl record album