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Gerry Mulligan Quartet/Paul Desmond Quintet

LP (Item 405699) Fantasy, Early 50s — Condition: Very Good

A 50s Fantasy album that brings together 2 earlier 10" jazz sessions – one by Mulligan and one by Desmond, both unusual outings for the players. Side one features Gerry Mulligan working with a strong early group – Chet Baker on trumpet, Chico Hamilton on drums, and Carson Smith on bass – on 4 tracks recorded in San Francisco, and 4 others recorded slightly later in LA. The tunes are short, piano-less, and have that fluid 50s Mulligan groove – and titles include "Turnstile", "Limelight", "Carioca", "Bark For Barksdale", and "Line For Lyons". Side two is a session that features 4 tracks with Paul in a quintet with Dick Collins on trumpet and Dave Van Kriedt on tenor sax – working without a piano, and in a fluid-grooving style that recalls a lot of the Gerry Mulligan style of the time. The other 4 tracks from the set are even more unique – and have Desmond blowing dreamily over a "with voices" chorus – done with the Bill Bates singers in a style that's warmer than similar work by Charlie Parker, and which really points the way towards some of the Desmond solo genius of the 60s. Titles include "Jeruvian", "Garden In The Rain", "Misty Window", "Winky", "Soon", and "Will I Know".  © 1996-2021, Dusty Groove, Inc.
(Red vinyl pressing with deep groove on Side B. Cover has some wear and aging, splitting in the bottom seam with yellowed tape remnants, a bit of pen on front and notes on back, minor stains, and some glooss peel at the opening.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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