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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Use The Stairs is a near-forgotten date from 1980 – recorded at a time when Stanley Turrentine was still steeped in the fuller arrangements picked up during his CTI years – blowing beautifully as a soloist in the larger setting! The sound here is plenty darn hip – thanks to ... LP, Vinyl record album
A masterpiece – one of 2 crazy albums in which Woody Herman's late band meets the Cadet arrangements of Richard Evans. You might think the combination wouldn't work – Woody's big band flourishes meeting up with Evans' compressed soulful grooves – but gosh, the record is simply ... LP, Vinyl record album
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work ... LP, Vinyl record album
A great lost chapter in the Cannonball/David Axelrod story! The record features Cannon's classic quintet performing some longer, more serious works with orchestral backing – and the sound is vaguely similar to some of Axelrod's "high concept" work for Capitol. The record features ... LP, Vinyl record album
One of the hip albums of jazz instrumentals issued by Jamey Aebersold's "learn and play jazz" label from the 70s – featuring a tight set of original trio tracks with a spare groove that's really nice. The group's a trio, with Rufus Reid on bass and Dan Haerle on piano – and ... LP, Vinyl record album
Sweet 70s funk from George Benson – an album that's a bit smoother than some of his earlier work, but still free from the commercial polish of his later hits! Maestro David Matthews is at the helm for this session – and most numbers have a full backing from players who include some of ... LP, Vinyl record album
While it's tough to think of a jazz player having "hits" – given the low sales of jazz albums, even in the 60s – it's still the case that Ammons' sound was so strong, and so soulful, he had plenty of fans in the crossover market for some of his bigger recordings. The album ... LP, Vinyl record album
Outstanding early work from Curtis Fuller, leading a smoking small group through bop and hard bop numbers in a modernist mode like some of the best Jazztet sides Art Farmer and Benny Golson would go on to cut a few years later. Golson's featured here alongside Fuller in the front line, with either ... LP, Vinyl record album
A warmly romantic journey from the stellar Norman Connors – but a set that's also got a fair bit of spiritual jazz undercurrents too! Norman's at that perfect Starship point in his career – giving equal space to the vocals and instrumental passages on the record – at a level that ... LP, Vinyl record album