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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Very unusual material from this famous pianist – given that the group here features John Hardee on tenor sax and Milt Page on organ! Titles include "The Bug", "Misty Morning Blues", "Solace", "Monk's Mood", and "Night & Day". LP, Vinyl record album
A flurry of fantastic recordings from the legendary Billy Taylor – material the pianist recorded for Prestige Records in the early 50s – at a time when he was really helping to transform the sound of the piano in jazz! These sides have Taylor showing that a small combo piano date can ... LP, Vinyl record album
One of the best Billy Taylor albums of the 60s – thanks to some great big band backing by Oliver Nelson! Nelson's touch was golden at this point, and he could make just about any instrumentalist swing like a hammer – which is what he does with Taylor on this album, taking his normally ... LP, Vinyl record album
A trio is helping out guitarist Johnny Smith – but, as with all of his other Roost Records of the time, the man himself is very far out in the lead – making real magic on the strings of his guitar, and playing with an effortless command of tone and color! Some moments of the record ... LP, Vinyl record album
Wonderful stuff – a mid 50s LP that compiles some of Stan Getz's best icy sides for Roost Records – material that has the tenorist blowing in a way that really had folks sit up and take notice! There's some of the warmth of Lester Young in Stan's playing here, but also a crisp, modern ... LP, Vinyl record album
Heavy tenor from both of these giants – working here with a raw group that features Doc Bagby on Hammond and Charlie Rice on drums! Titles include "SOS", "Jaws", "Marchin", and "I Can't Get Started" – all nice and long! LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast ... LP, Vinyl record album
This is the great Blue Note two-fer from the 70's that combines two rare Cecil Taylor albums from the 50's – one recorded for the Transition label, one for United Artists. First up is Jazz Advance – one of the best pre-1960 sessions by Cecil Taylor, recorded in Boston in 1956, and ... LP, Vinyl record album
The Jazz Crusaders at their early best – swinging hard, and virtually defining the sound of soul jazz on the west coast scene of the 60s! The sound here is impeccable – tight rhythms overlaid with searing solos – all the best the young group had to offer, thanks to the early ... LP, Vinyl record album
Early Prime Time stuff by Ornette, with the harmelodic sound electric sound of the group that included Jamaaladeen Tacuma, Bern Nix, and Charlie Ellerbee. Lots of popping guitar strings, jumping basslines, and rambling solos by Ornette. Tracks include "Jump Street", "Sleep ... LP, Vinyl record album
One of their early classics, and still one of the greatest groups with roots in the Chicago AACM scene. Henry Threadgill, Fred Hopkins, and Steve McCall play modern experimental versions of compositions by Jelly Roll Morton and Scot Joplin – plus Threadgill's own "Paille Street". LP, Vinyl record album