This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A Basie 2-fer! First up is Kanas City Suite – a great little set – despite our initial fears! We'll admit that we're the first ones to shy away from anything that says "Kansas City" in the title – as we expect a lot of hoke – but this album's a surprisingly great ... LP, Vinyl record album
Very fluid later work from Count Basie – a set that has that nice open-ended Pablo Records approach, but which still comes across with that brilliant Basie groove that first emerged most strongly in the 50s! Players are a mix of young and old, and the group includes Grover Mitchell and Booty ... LP, Vinyl record album
The Basie band is plenty big here – but never too much so to lose their confident swing of earlier years! The Count is still firmly at the helm at the time of this recording – leading and playing keys with that spacious, stepping quality that makes a Basie number of the later years ... LP, Vinyl record album
Count Basie and Quincy Jones were always a mighty mighty combination – and there's no finer proof of that fact than this sweet little set! Quincy had a way of swinging Basie's group even more than Neal Hefti did – really letting the piano step out front, and swinging the larger horn ... LP, Vinyl record album
The title's not a hokey TV reference or anything like that – but a strong reminder that the Count Basie group was still very much in their prime during the 1970s, thanks especially to the recording talents that the Pablo label brought to records like this! Most of the work here was arranged ... LP, Vinyl record album
Oft-overlooked album that's actually one of Getz's most far-reaching of the 60s! Recorded in the year before he got caught up in his bossa pop frenzy, the record shows Getz as a darkly toned modernist, weaving out complex solos over the album's extended suite "Focus", written and ... LP, Vinyl record album
Classic Verve material from the 50s – a meeting of two swing era giants, in a small combo setting that includes all-star players like Ray Brown, Oscar Peterson, Herb Ellis, and Louis Bellson. The tracks are long and laidback, with measured masterful solos. Titles include "Flic", ... LP, Vinyl record album
A great little set that shouldn't work as well as it does! Mulligan's baritone work is cut nicely by Getz's wispy alto – making for a combination of horns that yeilds some wonderful moments that opens both players up more than usual for the time. Titles include "Anything Goes", ... LP, Vinyl record album
Sonny Stitt makes Oscar Peterson sit up and groove! The record's a great one, and uses the Peterson Trio as a perfect rhythm section for Sonny's confidently blown solos of the late 50s – in a way that pushes the combo past their usual safe area, and into more freewheeling territory to keep ... LP, Vinyl record album
A beautiful record from Barbara Carroll – one that has her singing a bit along with her piano – interpreting Gershwin tunes with that special touch that really set her apart in the 50s! The trio features Joe Schulman on bass and Joe Petti on drums. LP, Vinyl record album