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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Perhaps the best-known (and arguably the best) record by Paul Quinchette, and an album that brings his rich tenor solo style into contact with a very tight, very swinging batch of arrangments by a young Quincy Jones. Quincy's got an all-star batch of players backing up Q, including Sam Most, ... LP, Vinyl record album
Not west coast, but "best coast" jazz – a prime example of the way the Clifford Brown/Max Roach team helped to cook up the intensity of the LA scene of the 50s by infusing it with a bit of New York fire! The album takes off in the extended mode of Clifford's All Stars album – ... LP, Vinyl record album
A classic "with strings" session from Clifford Brown – nearly as well-done and perfect as some of Charlie Parker's sides for Verve, handled here with perhaps a slightly sweeter touch, as Neal Hefti's the man on arrangements. The core group's the Brown/Roach combo, augmented by a ... LP, Vinyl record album
Classic early work by Herb Geller – and a record that features his crispy alto against a group that features wife Lorraine Geller on piano, Conte Candoli on trumpet, and Zoot Sims on tenor (playing here under the name Ziggy Vines!) The tracks are short, with a lot of west coast whimsy – ... LP, Vinyl record album
A great 80s EmArcy two-fer from Q's Mercury years! The Birth Of A Band is a very swingin', very groovy early album from Quincy – one that's clearly in the big band mode, but handled with soulful touches that really set it apart from the genre! The band is a great one all the way through ... LP, Vinyl record album
A key slice of Clifford Brown from the 50s – two long tracks both recorded in an open-ended jam session format, showing a side of Brown's powers that's even bolder and more inventive than some of his previous studio work! The album soars along beautifully – with Brownie in the lead ... LP, Vinyl record album
Second volume pulled together in the early 80s of Brownie's remarkable work with a smoking quintet that would record some of the finest bop sides issued on the Emarcy label. He's working here with Max Roach, George Morrow and Richie Powell and either Sonny Rollins or Harold Land as Brown's foil in ... LP, Vinyl record album
Brian Auger's first album away from singer Julie Driscoll – and a landmark batch of funky organ work that made big waves in both the rock and jazz worlds at the time! Auger's really stretching out here – getting past the simple R&B of his roots, and going into a bubbling funky ... LP, Vinyl record album
A treasure trove of rare jazz recordings – all material that was cut during the short run of the Beehive label – that excellent Chicago imprint that was based along the ideals of recordings first put in place by Blue Note and Prestige! Beehive also grabbed a lot of players who worked ... LP, Vinyl record album