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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Repackaging of Brel's 1967 LP – featuring some of his lesser known work from the late 60s, set to arrangements by longtime accompanist Francois Rauber. The tracks are still quite strong, and if anything, Brel's writing has only gotten sharper by this point. Titles include "Le Gaz" ... LP, Vinyl record album
This was Brel's last album before his death, and it's an oft-overlooked piece of work that's fantastically different from his better-known 60's oevre, but also every bit as great as that stuff. The tracks on here have an amazingly sombre quality, and are filled with deep swells of emotion that ... LP, Vinyl record album
Brel at his best – delivered with the biting tone that made Brel one of the most brilliant social commentators of the 20th Century, yet with a warmth that offset his critical vision with a real love of life! Arrangements and orchestrations are by the mighty Francois Rauber – a bit ... LP, Vinyl record album
Backings by Francois Rauber, Alain Goraguer, and Gerard Jouannest – on titles that include "J'Arrive", "Trois Petites Notes De Musique", "Ta Main", "Dans Ton Lit De Cristal", and "Face A Face" – plus Serge Gainsbourg's "Le Sixiem ... LP, Vinyl record album