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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Very hip early work from George Russell – a set that's maybe not as high-concept as some of his later records, but which still has a strikingly modern vibe! Russell's trying out some of his new tonal ideas here – and has a group that's very well-chosen for the project – with Art ... LP, Vinyl record album
An nice lost session by modernist George Russell – recorded in New York in 1960, with one of his more obscure groups of the time. The set was originally recorded for the Decca label, as one of Russell's few LPs for the imprint – and like the others, it's got a fresh, unacademic tone ... LP, Vinyl record album
A wonderful album from George Russell – and a refreshing change from his overly-academic modernist work! The session's an unusual one – a musical portrait of New York City, performed with an all-star cast that includes John Coltrane, Art Farmer, Bill Evans, Phil Woods, Benny Golson, ... LP, Vinyl record album
George Russell's stepping quite far out from his earlier work here – recording in Scandinavia in the late 60s, with some very trippy effects! The album is dominated by the two-part "Othello Ballet Suite" – recorded in Stockholm in 1967 with a group that includes Rolf ... LP, Vinyl record album
French reissue of a nice little set from Russell – not to be confused with the Riverside LP with a similar title. Not as arch-modern as some of his later work, with strong playing in kind of that east coast chamber jazz mode that you'd find in some of the other RCA sides of the time. ... LP, Vinyl record album
George Russell was always committed to exploring new territory – as he proves well on this hard to find album cut for Riverside during the early 60s! Russell's surrounded himself here with some great younger and lesser-known players – including trumpeter Don Ellis, trombonist Garnett ... LP, Vinyl record album
A late 60s issue of material from some of Russell's earlier albums on Riverside – great sides from the early 60s featuring Russell at the head of a group of some of the better young modernists of the age, like Ellis, Dolphy, Pete La Roca, and Steve Swallow. The record features Russell-conceiv ... LP, Vinyl record album
The Crusaders are really going strong at this point – in near-hit status, almost acting as the Steely Dan of LA jazz. The sound is certainly slicker than before, but in a way that's actually pretty darn nice – as Joe Sample, Wilton Felder, Stix Hooper, and Larry Carlton come together ... LP, Vinyl record album