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Great Pyramid

LP (Item 40097) Mercury, 1976 — Condition: Near Mint-

One of the most spiritual, soulful albums ever from the great Charles Earland – a set that's almost his answer to the keyboard styles of Lonnie Liston Smith in the 70s – and done with a very spiritual vibe! We love Earland on Hammond – but here he also plays Fender Rhodes, clavinet, moog, and Arp – never to excess – blended with the sort of full, soaring arrangements you might get from someone like Larry Mizell or Skip Scarbrough at the time! Many numbers feature vocals in the mix, but also showcase lots of keyboard solos too – again like Smith – and the album's got a sense of style, power, and ambition that really make us respect Earland even more – especially given that he handled most of the writing, arranging, and production. Titles include "Upper Atlantis", "In The Land Of Mu", "Drifting", "Mona Lisa", and "The Great Pyramid".  © 1996-2021, Dusty Groove, Inc.
(Shrinkwrap is lightly shopworn, with a tear at the bottom. Cover has a cut corner.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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