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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Easily the best of the pre-Prestige albums from Charles Earland – a really smoking trio session, done in the soulful styles that Earland was putting down in the clubs at the time! The group here features a young Jimmy Ponder on guitar – playing in that totally tight, totally amazing ... LP, Vinyl record album
Charles Earland did the funky score for this obscure Kung Fu movie – and it's one of his best albums of the time! The lineup includes a lot of the great players that were helping him on his mid-70's stuff – Eddie Henderson, Dave Hubbard, Patrick Gleeson – and the groove is deeper ... LP, Vinyl record album
One of the greatest albums ever from organist Charles Earland – a double-length set that's filled with spiritual, soaring grooves! The style here is a perfect blend of the rougher soul jazz of Earland's roots with some of the spacier styles of his later recordings – served up in a ... LP, Vinyl record album
An incredible album from Charles Earland – a real crossroads in his career, one in which his streamlined organ jazz sound of the early 70s takes a slightly more expansive turn – as on his albums of the mid 70s. The record has slightly larger groups than usual – with players that ... LP, Vinyl record album
A monster – and Charles Earland's second album for Prestige, the follow-up to his groundbreaking Black Talk album! This set's as great as that classic set – a tight batch of groovers that features Earland's Hammond work right out front, grooving away in a soaring, exploratory style ... LP, Vinyl record album
We always love Erroll Garner in a fuller setting – something that's not always easy to find on record – and this album features his piano in the lead, over the top of some great backings from Leith Stevens – known best for his jazz soundtracks of the 50s! Stevens' provides a ... LP, Vinyl record album
A very groovy set of short jazzy numbers from Quincy – a consummate expression of all the work he'd forged in the 60s on soundtracks and other jazz sides for Mercury! The album features Quincy working through a lot of soul numbers – jamming on them instrumentally with players that ... LP, Vinyl record album
Fantastic – and one of Mingus' greatest albums ever! This one ranks right up with The Clown and Pithecantropus Erectus for sheer raw power and emotion – and Mingus' writing here is incredibly tight, giving soloists like Charlie Mariano, Jaki Byard, Richard Williams, and Jerome ... LP, Vinyl record album
A beautiful set of tracks that features Art Farmer soloing on flugelhorn over larger arrangements by Oliver Nelson. Farmer's work on the instrument was just taking shape at this point in his career, and the soulful backings of Nelson are a really great match for his lyrical tone, and widening ... LP, Vinyl record album
Groovy big band material, with that very cool 60s Quincy Jones sound! The record has a global gimmick – as Quincy makes a trip around the world, playing tunes associated with various nations, like "Under Paris Skies", "Dear Old Stockholm", "Come Back To Sorrento" ... LP, Vinyl record album
A brilliant pairing of the Three Sounds trio with the larger arrangements of reedman Oliver Nelson – easily one of the most soulful bandleaders of the 60s, and a talent who really helps open up the trio's groove! The piano of Gene Harris is nice and sharp – played with a soulful sock ... LP, Vinyl record album
A nice little set by Joe – recorded live, and much more freewheeling than some of his other albums from the time! The set's unusual for Joe, in that it's got more of a down and dirty approach – not exactly soul jazz, but with a much more gutbuckety groove than we might have thought! ... LP, Vinyl record album