One of the last Gary Bartz albums for Prestige – and a really unique session with a different feel than some of his earlier work! Gary's still got plenty of angular funk in his sound here – thanks to some edgey keyboards from Hubert Eaves – but he's also tightened things up a bit without smoothing them out – cutting down on the longer jams in favor of a more focused approach, and singing himself on many cuts, taking on the quirky lyrical role that used to be held by Andy Bey! Bartz also produced the record himself, but Larry Mizell handled the final mix – giving the record a slightly spacier Mizell-inflected groove, but one that's not as full as on other Bartz/Mizell collaborations. The vocals here are all pretty great, and the album's filled with oddly-grooving tunes that really have a heck of a lot of charm – including the call-response track "Dozens", plus "I Don't Care", "Lady Love", "St Felix Street", "Nation Time", and "Blind Man". (White label promo. Library copy, with taped and splitting seams, wear and some marker.) © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.