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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Aretha Franklin belts it out nicely on this one – stepping out with even more of a hard soul style than before, in a record that's a great close to her early years on Columbia Records! Arrangements are by Belford Hendricks and Clyde Otis – the latter of whom is clearly responsible for ... LP, Vinyl record album
Aretha Franklin sings it loud and proud, in front of a classy crowd at the Olympia Theater in Paris – a move that would have made Berry Gordy proud, but which is carried off here in a classic Atlantic mode throughout! Given the tight studio handling of Aretha during these early Atlantic ... LP, Vinyl record album
Aretha may have recorded for Columbia and Atlantic under her own contracts, but her father, the Reverend CL Franklin, was one of Chess/Checker's biggest recording artists – and these gospel tracks are probably lifted from pre-Columbia albums of Franklins that had Aretha singing with the group. ... LP, Vinyl record album
Given that Atlantic's big claim to fame with Aretha was that they took her from being a supper club jazz singer and made her a hard soul act, we've always been a bit surprised at the way they chose to hook her up with some Bacharach tunes after her first few sides – giving her a classier ... LP, Vinyl record album
An oh so tasty batch of jazzy modern soul from the Baltimore combo Pockets – one of the loose assemblage of groups to be directed at the time by Verdine White's Kalimba Productions – and with all the joyful vibes that association implies! There's some nice touches of Earth Wind & ... LP, Vinyl record album
The sweet Emotions at the top of their game – one of the brilliant albums that has the soulful trio working hand in hand with Earth Wind & Fire! The girls were plenty great in their early years, but working with Maurice White and company, they really took off – hitting a whole new ... LP, Vinyl record album
No stopping Tower Of Power in the 70s – as the set's a cool Columbia session from the group, and one that features a well-crafted groove throughout! The overall approach is a bit warmer and less jamming than before – but in ways that really show the group hitting some strong notes on ... LP, Vinyl record album
One of a handful of crucial early Aretha Franklin albums for Atlantic – and a key example of her genius pairing with arranger Arif Mardin! Instrumental backing is by a hard burning Memphis/Muscle Shoals lineup that includes Spooner Oldham on electric piano and organ, Tommy Cogbill on guitar, ... LP, Vinyl record album
Blue-eyed soul from Boz Scaggs, with a decidedly Philly influenced sound to the production, which we'd hazard a guess comes more from the Hall & Oates side of town than the Sigma Sound axis. Still, this is a solid album with the irresistible hit "Lowdown", still a favorite around ... LP, Vinyl record album
'69 was certainly Aretha's year – as the success of her initial round of Atlantic recordings had pushed her fully into the limelight, making her one of the most exposed, most reported-on artists in soul music! This album was cut during the height of that time, with Arif Mardin handling all ... LP, Vinyl record album