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Runnin' Out Of Fools/Take It Like You Give It

LP (Item 400347) Columbia, 1964 — Condition: Very Good
2LP Gatefold
$5.99 ...

LP, Vinyl record album

(€5.35 || £4.50 || ¥612) (approx.)
4.80 11

A 2-fer combining 2 of Aretha's better LP's for Columbia. Runnin' Out Of Fools isn't as deep as her later albums for Atlantic, but as an early session for Columbia it's a nice reminder of how good an interpreter of songs Aretha was – whatever the songs, and whatever the setting. She sings with some large arrangements by Belford Hendricks, and performs a mix of soul, pop, and jazz tracks that includes "Walk On By", "How Glad I Am", "I Can't Wait Until I See My Baby's Face", "Runnin' Out Of Fools", and "One Room Paradise". Aretha belts it out nicely on Take It Like You Give It– one of the few Columbia albums to really put a bit more soul in the arrangement, thanks to help from Clyde Otis and Belford Hendricks, who'd done some fine work over at Mercury, in a similar classy soul-drenched style. Titles include "A Little Bit Of Soul", "Only The One You Love", "Deeper", "Remember Me", "Land Of Dreams", "Lee Cross", "I May Never Get To Heaven", and "Take It Like You Give It". (Cover has light wear.)  © 1996-2016, Dusty Groove, Inc.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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