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Runnin' Out Of Fools/Take It Like You Give It

LP (Item 400347) Columbia, 1964 — Condition: Used
2LP Gatefold
Out Of Stock

LP, Vinyl record album


4.80 11

A 2-fer combining 2 of Aretha's better LP's for Columbia. Runnin' Out Of Fools isn't as deep as her later albums for Atlantic, but as an early session for Columbia it's a nice reminder of how good an interpreter of songs Aretha was – whatever the songs, and whatever the setting. She sings with some large arrangements by Belford Hendricks, and performs a mix of soul, pop, and jazz tracks that includes "Walk On By", "How Glad I Am", "I Can't Wait Until I See My Baby's Face", "Runnin' Out Of Fools", and "One Room Paradise". Aretha belts it out nicely on Take It Like You Give It– one of the few Columbia albums to really put a bit more soul in the arrangement, thanks to help from Clyde Otis and Belford Hendricks, who'd done some fine work over at Mercury, in a similar classy soul-drenched style. Titles include "A Little Bit Of Soul", "Only The One You Love", "Deeper", "Remember Me", "Land Of Dreams", "Lee Cross", "I May Never Get To Heaven", and "Take It Like You Give It". (Shrinkwrap is a bit shopworn.)  © 1996-2016, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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