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Tennessee Firebird

LP (Item 399657) RCA, 1966 — Condition: Near Mint-

Quite an unusual session from Gary Burton – recorded in Nashville, with a mix of jazz and country session players – coming together in an open-ended sound that's got lots of complicated touches. Gary's jazz side is represented by Roy Haynes on drums, Steve Swallow on bass, and Steve Marcus on sax – and the Nashville side of things is handled by players that include Buddy Emmons, Ray Edenton, Charlie McCoy, and Chet Atkins, who duets with Burton on two spare tracks. The sound is hard to describe, but quite different from, and equally striking as, Burton's 60s albums for RCA. Titles include "Epilogue", "Alone & Forsaken", "Walter L", "I Want You", "Just Like A Woman", "Gone", "Tennessee Firebird", "Beauty Contest", and "Born To Lose".  © 1996-2021, Dusty Groove, Inc.
(Black label stereo Dynagroove pressing with deep groove – a nice copy!)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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