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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Herman leads his big band with guest artits Al Cohn and Stan Getz, with featured soloists that include John Oddo on piano, George Rabbai on trumpet and flugelhorn, Bill Stapleton on flugelhorn, Bill Ross on tenor and piccolo, Gene Smith and John Fedchock on trombone, Randy Russell and Paul McGinley ... LP, Vinyl record album
Despite what you might think about some of Woody's big band contemporaries from the 40s, you've got to admit that Woody himself was always growing and changing as the decades went on – as this 1963 album will attest! Woody's in great form here – still working with a tight group of ... LP, Vinyl record album
The most obscure of Woody's albums for Cadet – and a bit different than the other two! The album still features one side of upbeat groovy tunes – recorded with Richard Evans in a style that's a mix of big band funk and Cadet Records soul – and which show Woody to be a lot hipper ... LP, Vinyl record album
Sweet, smooth, and soulful – a heck of a great album from Stanley Turrentine, and one that's recorded in a mode that steps off nicely from his best work at CTI! The sound's a bit tighter than most of his sides as Mister T, but the groove is still quite similar – a warm approach to ... LP, Vinyl record album
Late 60's collection of 50's work done by a young Wes Montgomery, with his brothers Montgomery, in the early days for Fantasy records. Monk's on bass, Buddy plays vibes and piano, with either Lawrence Marable or Paul Humphries on drums. 8 tracks in all: "Jingles", "Monterey ... LP, Vinyl record album
A 50s Fantasy album that brings together 2 earlier 10" jazz sessions – one by Mulligan and one by Desmond, both unusual outings for the players. Side one features Gerry Mulligan working with a strong early group – Chet Baker on trumpet, Chico Hamilton on drums, and Carson Smith on ... LP, Vinyl record album
One of our favorite albums ever from the great Clare Fischer – and one of the first to really show his special talents at their best! The sound here is a wonderful blend of jazz, Latin, and Brazilian modes – and in addition to piano, Clare plays plenty of organ on the date – ... LP, Vinyl record album
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players ... LP, Vinyl record album