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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A nice, mature effort from Julie London – done with a great mix of 60s pop modes and some of the breathier styles of Julie's earlier years – often served up with backings from Ernie Freeman that have a bit of electric bass at the bottom, which helps to step the tunes along with a subtle ... LP, Vinyl record album
An oft-overlooked gem from Julie London – a dreamy album of Cole Porter tunes, and one that has her singing with small group backing, very much in the mode of some of her best early work for the Liberty label! The group on the album's the Bud Shank Quintet – with Shank on alto and ... LP, Vinyl record album
Breathy vocals from the great Julie London – an album recorded early in her years on Liberty Records, but with a slightly full sound overall! Backings are by the orchestra of Pete King – a little heavy on the strings, but never too much so – just enough to give the tunes a sad-tin ... LP, Vinyl record album
Hip early work from Julie London – with full jazz orchestra backing by Russ Garcia, whose soundscapes are perfect for that dreamy style of singing she was using at the time – a blend of the sublime and sad, floating along with almost effortless ease, but hiding a huge wellspring of ... LP, Vinyl record album
A beautiful little vocal set – and not nearly as gimmicky as you'd expect! The album's "presented" by Martin Denny, but overall it's a pretty straight jazz set – featuring vocals by Japanese/Hawaiian Ethel, sung in a cool and moody style that's got lots of 50s west coast ... LP, Vinyl record album
A bit different than the early R&B work of Nellie Lutcher, but great too – a unified album of jazzy material, cut with backings by the great Russ Garcia! Titles include "It Had To Be You", "Three Little Words", "Blue Skies", "You Made Me Love You", ... LP, Vinyl record album
An album of straight jazz vocals from Hawaiian singer Ethel Azama – an artist who's perhaps better known for her more exotic Liberty album with Martin Denny, but who's working here in a much straighter mode with backings from the great Marty Paich! Paich is at the height of his powers here ... LP, Vinyl record album
Captivating work by Nina – working here in that unique crossover style she was using in the mid 60s – a blend of jazz and soul arrangements that were perfect for her intimate folksy style. The album's one of her first few for Philips, and it really has her opening things up a bit ... LP, Vinyl record album
A classic Vegas moment for Sinatra – with accompaniment by Count Basie, and arrangements from Quincy Jones, to boot! The set features some great spoken bits – really one of the first chances the American mainstream got to taste the Vegas vibe – and titles include "It Was A ... LP, Vinyl record album