This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Casino has a smaller, tighter lineup than some of Al DiMeola's other records of the time, but the overall sound is still pretty far-reaching – thanks to a mix of keyboards from Barry Miles, and a blistering array of acoustic and electric guitars from Al himself! Steve Gadd propels the group ... LP, Vinyl record album
A strange one for Miles – kind of a repackaging of earlier work, done in a late 60s cover that has an image of outer space on the front and back! The tracks are mostly from the late 50s/early 60s Columbia albums, and titles include "Billy Boy", "So What", "All ... LP, Vinyl record album
Thelonious Monk may have written the title tune, but Miles Davis makes it all his own here – blowing with a subtle moody magic that makes the album one of his true treasures from the early Columbia Records years! John Coltrane's along on tenor sax – helping Davis expand the sound the ... LP, Vinyl record album
One of the great early albums in Michel Legrand's "travelogue" period – a set done at the same time as his musical portraits of Paris and Rio, and served up with a similar flair for the dramatic! The style here is somewhat different than Legrand's better-known soundtrack work of ... LP, Vinyl record album
The classic meeting of the great French arranger/pianist with American jazz players like Miles Davis, Ben Webster, Milt Hinton, Donald Byrd, Hank Jones, and others. The tracks are a beautiful strident blend of Legrand's best arranging styles, and they show his keen talent for letting the soloist ... LP, Vinyl record album
A great little record made by this obscure modernist group! The quartet seems to begin with an MJQ inspired kind of groove – but they're much more soulful than that, and the tracks have a nice jagged sound that well earns them their "contemporary" tag. The lineup is ... LP, Vinyl record album
When it comes to soul jazz, you can't get any more classic than this! The title was one of the biggest jazz hits of the 60s – covered by countless other artists, but presented here in all its original brilliance in a group led by its composer, a young Nat Adderley! At the time of the record ... LP, Vinyl record album
Sweet Latin licks from Clark Terry and Chico O'Farrill – cut in a mode that's very similar to O'Farrill's best Verve work of the 60s! The vibe is kind of a mod take on Afro Cuban sounds – not really Latin soul, but with a playful vibe that mixes together jazz and Latin with equal parts ... LP, Vinyl record album
Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time! If you only know the later, famous ... LP, Vinyl record album