Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

When Love Is New

LP (Item 39673) Philadelphia International, 1975 — Condition: Very Good
Great stuff from Billy – not his most famous album, but filled with some obscure treasures that really stand out in his work – and the stellar Philadelphia International label! The record's got a tight Gamble/Huff sound – moving very much into the Philly modern style that would dominate the end of the 70s – appropriate that they'd set the pace so well for this album, the fifth LP to arrive on the Philadelphia International label. Includes an extended mellow love suite that includes the cuts "When Love Is New", "I Want'Cha Baby", and "Let's Make A Baby" – some of Billy's sweetest songs ever. Those are preceded by the nearly as great "America (We Need The Light)", "Let The Dollar Circulate", and "People Power". A real gem!  © 1996-2023, Dusty Groove, Inc.
(Cover has some wear and aging, lightly bent corners, small glue spots in front, and partially unglued bottom seam.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Billy Paul

Let 'Em In
Philadelphia International, 1976. Very Good+
Probably not Paul's strongest record, but you can't deny his voice sounds great and we're never ones to argue with Gamble & Huff production. Recorded at Sigma Sound and features arrangements and productions by Dexter Wansel alongside Jack Faith and Gamble & Huff, this album still ... LP, Vinyl record album

Billy Paul

Live In Europe
Philadelphia International, 1973. Very Good+
A really majestic live set from Billy Paul – recorded in the UK at the height of his greatest fame – but in a way that features plenty of longer tracks that really let Billy stretch out and do his thing! Given this expanded setting, there's a surprisingly righteous feel to most numbers ... LP, Vinyl record album
Philadelphia International, 1977. Very Good+
Although Jerry Butler had the first hit with "Only The Strong Survive" – way back in the late 60s, when Gamble & Huff were using his career to first forge their new ideas of Philly soul, Billy Paul does a great job with the cut here, taking it into a smooth modern mode that ... LP, Vinyl record album
Philadelphia International, 1975. Very Good+ Gatefold
A great sense of righteousness and groove – the key mix that made the O'Jays so great back in the day – and which really helped put the Philly International enterprise on the map! The album's miles from the group's simple harmony soul roots – even though those were pretty darn ... LP, Vinyl record album

Dexter Wansel

Voyager
Philadelphia International, 1978. Very Good+
Dexter Wansel keeps up the space jazz funk groove that was begun on Life On Mars – with those fat, thumping bass lines, elastic lead guitar, atmospheric soul vocals and loads and loads of keys – spatial work on Rhodes, Moogs and ARPs! It's all done in a funky style not always heard on ... LP, Vinyl record album

Jones Girls

Keep It Comin'
Philadelphia International, 1984. Near Mint-
Nice obscure Jones Girls album that gives the ladies a good electro 80's groove. Kenny Burke wrote and produced the title cut, "Keep It Comin", which is a nice slammin' dancefloor track, with a feel that's similar to Kenny's own work from the time. He also handled a few other tracks on ... LP, Vinyl record album

Teddy Pendergrass

Teddy Pendergrass
Philadelphia International, 1977. Near Mint-
Teddy Pendergrass – we love you! This is one of Mr. P's greatest albums of smooth mellow soul – recorded after he left Harold Melvin & The Blue Notes, and began working in a wonderfully warm solo style that had a huge influence on male vocal soul for years to come! The sound here ... LP, Vinyl record album
Philadelphia International, 1978. Very Good
After working with Gamble & Huff on his big hits for Mercury in the late 60s, Jerry returned to work with the pair in the late 70s on their own Philly International label – stepping out with the same sweet groove that the Philly sound had brought to Lou Rawls, in a way that helped Butler ... LP, Vinyl record album
Philadelphia International, 1976. Very Good
One of those records that really took Philly soul to the next level back in the 70s – a set that works amazing magic with the already-great harmonies of the O'Jays – pointing them even more strongly towards groove-heavy territory, while still keeping all the fragile, personal qualities ... LP, Vinyl record album
Philadelphia International, 1979. Very Good
The O'Jays keep on going strong – hitting a smooth mellow Philly vibe that takes them away from the style of their mid 70s hits! The sound here is a bit more uptempo than on the previous album So Full Off Love – but the group are still also really using the time to explore their ... LP, Vinyl record album

Harold Melvin & The Blue Notes

Wake Up Everybody
Philadelphia International, 1975. Very Good+
Teddy Pendergrass and crew get a bit more political than on earlier releases, and adopt the righteous bubbling soul groove that had put the O'Jays over the top a few years earlier – with incredible results! The title cut – "Wake Up Everybody" – would prove to be a great ... LP, Vinyl record album

Patti Austin

Havana Candy
CTI, 1977. Very Good+ Gatefold
Havana Candy, indeed – as singer Patti Austin's in her sweetest mode of the 70s – stepping off of years of background vocals for others, and really emerging as a great soul star on her own! Patti got the chance to cut some soul singles back in her early days – but work like this ... LP, Vinyl record album
 



⇑ Top