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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Howard Roberts' first album as a leader – a unique little session recorded for Verve, and one that's done with a different feel than his later work for Capitol! And in fact, the session's even different than most Verve work from the time – as it's got Roberts soloing over larger group ... LP, Vinyl record album
If the 60's ever had a "hit" jazz record, it was probably this one! The album's a sparkling live session featuring the trademark soul jazz sounds of the Cannonball Adderley group with Joe Zawinul on acoustic and electric piano, and brother Nat Adderley on cornet. The tracks have a long ... LP, Vinyl record album
Early 70s Capitol collection – includes a 50s cooker from Gerry Mulligan – working here with a real birth of the cool-styled group that includes Chet Baker and Pete Candoli on trumpets, Bud Shank on alto, John Graas on French horn, Bob Enevoldsen on trombone, and Chico Hamilton on drums ... LP, Vinyl record album
A side's worth of material from each of the band leaders with their orchestra! Benny Carter tracks feature sidemen that include Bumps Myers, Thelonious Monk, Max Roach, JJ Johnson, and Idrees Sulieman; and Cootie Williams tracks feature Bob Horton, Eddie Vinson, and Sam Taylor. LP, Vinyl record album
Titles include "Willow Weep For Me", "I Cover The Waterfront", "Dardanella", "Sweet Lorraine", "My Heart Stood Still", "Blue Skies", and more. LP, Vinyl record album
Great mid 40s work from Coleman Hawkins – some singles recorded for Capitol, with work from an unusual array of players on the Hollywood scene! Most cuts feature the young Howard McGhee on trumpet – plus Sir Charles Thompson on piano, Allan Reuss on guitar, and either John Simmons or ... LP, Vinyl record album
Classic work by Teagarden – pop trad tracks, cut at the height of his popularity in the mid 50s. Teagarden sings and plays trombone – and other players include Gus Bivona, Nick Fatool, Harry Geller, Jack Marshall, and Manny Klein. Tracks include "After You've Gone", "I'm ... LP, Vinyl record album
A really great testament to the wide warmth and many talents of Cannonball Adderley – as well as a portrait of just how much he'd touched the world of jazz in the short time he was on the planet! The set brings together collaborations between Cannon and a variety of artists – pulled ... LP, Vinyl record album
One of Eric Dolphy's lasting classics – and possibly the ultimate album of "new thing" jazz from the mid 60s! The record's got an even sharper edge than previous Dolphy recordings for Prestige – a really unique combination of instrumentation that includes Freddie Hubbard on ... LP, Vinyl record album