This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An overlooked Hammond slammer from Charles Earland – cut at a time when he was working on more electric keyboards for other labels. The set's a killer all the way through – very much in the best early 70s Prestige Records mode – with long tracks that really jam, and a lineup that ... LP, Vinyl record album
More Johnny Lytle stuff recorded for Muse during his comeback period. This LP features a host of instruments not usually associated with Lytle's standard jazzy vibes style – including electric guitar (played by Melvin Sparks), piano (played by Neal Creque), and an arp synthesizer (which lays ... LP, Vinyl record album
Twin organs back to back – and a heck of a hard-wailing set from Groove Holmes and Jimmy McGriff! The album cooks from the very first note – and features long tunes that open up with the same sort of solo-heavy approach that you'd get on Holmes' Prestige albums of the 60s – very ... LP, Vinyl record album
One of David Newman's grooviest albums of the 60s – a stripped-down set that features a quartet with Hammond and guitar – all in a vibe that's a bit more relaxed than some of Newman's other sessions for Atlantic! There's a gritty edge to the record – with organ by the obscure ... LP, Vinyl record album
A great return to form for guitarist Sal Salvador – a player who didn't always get that much time in the spotlight in the 70s, until a big wave of fresh exposure from the Beehive label! Sal got his start in the Stan Kenton group, where he learned a great sense of color and phrasing – ... LP, Vinyl record album
Mid 50s, and Louis is going back to his roots – playing a set of compositions by WC Handy – working with a small combo that includes Barrett Deems on drums, Arvell Shaw on bass, Trummy Young on trombone, and Barney Bigard on clarinet. Vocals are by Louis and Velma Middleton – and ... LP, Vinyl record album
Way nicer than some of Milt's earlier work – and one of the gems he recorded with bassist Ray Brown during the late 60s. The group's got a tight soul jazz stepping groove – with Monty Alexander on piano, comping along right over Ray's warm basslines in a very tasty way. Teddy Edwards ... LP, Vinyl record album
Nice laid-back blowing session tracks for Prestige, ostensibly led by Donald Byrd and Kenny Burrell, though the label may just have been capitalizing on their names on the cover. Players include Byrd, Hank Mobley, Mal Waldron, Paul Quinichette, Art Taylor and Sonny Red in a number of different ... LP, Vinyl record album
Classic early Ayler material, recorded in Copenhagen in 1964, at the same time as his earliest recordings issued on the Debut label! The album stands as one of Ayler's most powerful, and with performances that hint strongly at the ESP recordings that would follow shortly, and have become more well ... LP, Vinyl record album
A pairing of 2 mid-50s sides by Lester Young for Verve – one album recorded with Teddy Wilson on piano, the other with Oscar Peterson – hence the title! The Wilson session was recorded in 1956, and featuers Gene Ramey on bass and Jo Jones on drums – with tracks that include " ... LP, Vinyl record album