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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Brilliant 70s work by The Dells – and an album that has the group reinventing themselves wonderfully, by moving over to Philly and recording with Norman Harris! As he did with so many other artists at the time, Harris took the group firmly into the clubs with a soaring Sigma sort of groove ... LP, Vinyl record album
A collection of tracks recorded during the late 60s and early 70s – when the Dells were at their peak, recording at Cadet with arrangers and producers like Charles Stepney, Bobby Miller, and Don Davis. Titles include "Love Is Blue (I Can Sing A Rainbow)", "There Is", ... LP, Vinyl record album
A wonderful record from the Dells – with stellar Cadet production and arrangements by Charles Stepney! This one has a very cool way of putting the tracks together, so that there's these little "segues" in between each cut – short instrumental grooves that are actually quite ... LP, Vinyl record album
A key set of early work from Betty Everett – and a great document of the strength of her early soul on Vee Jay! Although the title hit is quite familiar (and possibly a bit overplayed), Betty was a great vocalist with a wide command of material even at this early point in her career – ... LP, Vinyl record album
A really bold step forward for Norman Connors – a set that's still got all the spiritual jazz elements of his roots, but which also adds in some more soul and funk elements too! Jean Carn delivers some wonderful vocals on the record – at a level that's much more like her early Black ... LP, Vinyl record album
A 70s repressing on Buddah of a classic Vee Jay album by Jerry Butler and Betty Everett. The set was a very big-selling LP of great duets – some of the first male/female soul tracks recorded in the 60s, and the beginning of a sub-genre that would go on to become very popular. Titles include ... LP, Vinyl record album
A album of club tracks, as you might guess from the title, but every bit as strong as Melba More's other work from the late 70s! The album's got some top-shelf club help throughout – including production from Van McCoy and McFadden & Whitehead, the latter of whom also contributed a few ... LP, Vinyl record album
Fantastic early work by Van McCoy – recorded in the years before his "Hustle" hit, with a sweet east coast groove that's very much in the spirit of the best work he was doing for other folks at the time! The tracks have a warm and bubbling feel that's really great – sublime ... LP, Vinyl record album
The second anniversary of Gladys Knight & The Pips on Buddah Records – and an album that really shows the new level of depth the group were able to hit at the label! A key factor on the album is work by Eugene McDaniels – who produced the record, and wrote a good number of tracks ... LP, Vinyl record album
Classic Chicago soul from the great Dee Clark – one of the most versatile vocalists ever to work for Vee Jay Records, as you'll hear on this set! Dee could be sweet one minute, rocking the next – and had a great vocal range that was always used well on the range of material he sung. ... LP, Vinyl record album