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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the few great records that alto saxophonist Charlie Mariano cut with Shelly Manne – and a heck of a wonderful record that really set a new tone for Shelly's groove at the time! Things here are a bit looser and freer than before – longer tracks with more room for solos to really ... LP, Vinyl record album
Shelly Manne's always been a hipper cat than you might remember, especially if you've only heard his mainstream work – and if you need any convincing of that fact, just check out this searing electric set from 1970! The group here is virtually the same one who recorded with Manne for the ... LP, Vinyl record album
If you've ever doubted the influence of Coltrane on jazz, just check this 1970 session from Shelly Manne – one in which he's broken past the usual tight west coast TV jazz sound, and has moved into much freer territory with a group of younger (and hairier!) players. The group includes Pete ... LP, Vinyl record album
A wonderful version of the famous Henry Mancini score – arguably better than the original soundtrack for the TV show! Shelly Manne leads a small group of west coasters that includes Victor Feldman on vibes, Conte Candoli on trumpet, and Russ Freeman on piano – plus Herb Geller on alto, ... LP, Vinyl record album
A pretty darn great record – the first full length LP cut by Shelly, issued by Contemporary in the mid 50s, and pulling together side from sessions in 1953, some of which were issued previously, others of which appear for the first time here. The tracks are short and playful – very ... LP, Vinyl record album
Charlie Mariano was one of the best things to ever happen to Shelly Manne – as the young altoist's icy talent was a perfect match for Manne's west coast cool, but his Boston soul really added a lot more emotional depth than had ever been previously recorded on some of Manne's sessions. This ... LP, Vinyl record album
Tomorrow may be the question, but the record screams "today!" – and even this many years after its recording, this early set by Ornette Coleman has an energy and presence that cannot be denied! The sound here is kind of a rougher take on the mode that would gel more strongly on ... LP, Vinyl record album
A great later date from trumpeter Art Farmer – who also plays flugelhorn here – recorded with the mighty Clifford Jordan on tenor, plus Kenny Burrell on guitar, James Williams on piano, Rufus Reid on bass, and Marvin Smitty Smith on drums! LP, Vinyl record album