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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of Moody's first records for Mercury after returning to the US after residing in Paris. There is no indication of who plays with him on this record except for one mention of Babs Gonzales who sings with him on "The James Moody Story". Moody plays both tenor and alto sax and the ... LP, Vinyl record album
A percussion-heavy batch of tracks that has Pete Rugolo starting from a mode explored heavily in the hi-fi years, but taking the genre into much jazzier territory! With the help of a large group of west coast players – including Don Fagerquist, Larry Bunker, Herbie Harper, Frank Rosolini, ... LP, Vinyl record album
A key American album from trumpeter Rolf Ericson – a player with roots in the Swedish scene, but one who also made some big waves on the west coast during the 50s! Although Rolf was living in the US at the time of the date, the set was actually recorded in Sweden, on a tour of that nation ... LP, Vinyl record album
A beautiful set of tracks that features Art Farmer soloing on flugelhorn over larger arrangements by Oliver Nelson. Farmer's work on the instrument was just taking shape at this point in his career, and the soulful backings of Nelson are a really great match for his lyrical tone, and widening ... LP, Vinyl record album
An unusual chapter in the label-hopping career of Charles Mingus – a one-off date recorded for Mercury right after Mingus' legendary sessions for Columbia! The format here may well be Mingus' most ambitious to date – as the album features larger groups than before, exploring a range of ... LP, Vinyl record album
A strong 50s session from Gerry – a bit like some of his work for the Pacific Jazz label, but perhaps a bit more biting and modern. The group's a sextet with Jon Eardley on trumpet, Zoot Sims on tenor, Dave Bailey on drums, Bob Brookmeyer on trombone, and Peck Morrison on bass – and ... LP, Vinyl record album
Cal cut so many great sides for Verve during the 60s, it's hard to imagine how anyone could come up with a "best of" – but this album fits the bill nicely, and includes a number of solid groover and Latin jazz tracks that fit just right! Includes "Sake & Greens", ... LP, Vinyl record album
A brilliant album – and real turning point for Herbie Hancock! After first coming onto the scene as the soul jazz hero between Blue Note funky classics like "Watermelon Man" or "Blind Man, Blind Man" – Herbie emerges here as a concerned modernist with a strand of ... LP, Vinyl record album
A landmark set for Blue Note – one that features Freddie Hubbard working in raw, firey, freewheeling territory – given space that few other players at the label were getting at the time! The two volume set features tracks recorded live at Club La Marchal in Brooklyn – and have ... LP, Vinyl record album