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Sonny Stitt At The DJ Lounge

LP (Item 39086) Argo, 1961 — Condition: Very Good
Just Sold Out!

LP, Vinyl record album

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A classic from Stitt – cut during the underground days of the early 60s, when both he and Gene Ammons seemed to be recording for just about every jazz label around, and when they both seemed to be doing an awful lot of work in Chicago. This album was done in a flurry that Jug and Stitt cut for Argo during 1961 – and it's a Stitt-only session, recorded at the super-hip DJ Lounge, owned by Chicago spinner McKie Fitzhugh down at the intersection of 63rd and Cottage Grove. The group's an organ combo, with Eddie Buster on the Hammon, Joe Shelton on drums, and John Board joining in for a bit more tenor. (Interesting to note is the fact that Board made a number of classic soul session appearances later on in the decade – but this is one of his few jazz recordings.) The set's very hard-grooving – with longish tracks that let Stitt and Board go head to head in the same style he was used to with Ammons. Titles include "McKies", "Jay Tee", "Free Chicken", and "Blue Moon".  © 1996-2020, Dusty Groove, Inc.
(70s orange label pressing. Cover has some wear, splitting and masking tape.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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