This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great big band indeed – a session from 1960 that has Bill Holman still sitting nicely at the top of the west coast large group format from the 50s! As with previous dates of this nature, Holman's got a way around the charts that few can match – a way of swinging the whole ensemble ... LP, Vinyl record album
Sam was the very popular tenor player behind Louis Prima's best recordings of the 50s – and although he was never given his due as a full-time honker and shouter, he actually played a pretty mean horn when he wanted to, which he does to full effect on this Capitol set from the late 50s. The ... LP, Vinyl record album
A totally great set by Cannonball Adderley – one of his funkiest albums ever, recorded live at Operation Breadbasket under the supervision of Jesse Jackson, and a session in which the band is cooking a lot more than on some of their other albums from the time! The set grooves hard with some ... LP, Vinyl record album
A great example of the Kenton powerhouse in action – a 90 minute double-live recording that really set a new standard for jazz sets of its type! The album features a side apiece dedicated to each of the three acts – one by Kenton's orchestra, one by Christy on vocals, and one by the ... LP, Vinyl record album
Titles include "Let's Dance", "Bugle Call Rag", "Memories Of You", "One O'Clock Jump", "Avalon", "Down South Camp Meetin", "Stompin At The Savoy", "Moon Glow", "Good-Bye", and more; with sidemen that include ... LP, Vinyl record album
Pure genius from tenor saxophonist Richie Kamuca – a magical exercise in tone and balance, played by Richie with that warm and raspy style that we love so much in his work! Kamuca's probably best known for his bigger group work of the 50s, but on a session like this he steps out as a ... LP, Vinyl record album
An excellent set of Dutch jazz from the postwar years – a session built around the talents of pianist Pim Jacobs and bassist brother Ruud, both players who were quite well known in Pim's famous trio – but who step out here in a variety of different settings! Some of the tracks on the ... LP, Vinyl record album
A later Muse date with legend John Patton on organ, Miles' drummer Al Foster diggin' in with the legendary George Duvivier on bass, and harp and synthesizer thrown in for added layers of sound. Johnny's signature songs the "Village Caller" and the mellow burner "Lela" are cast ... LP, Vinyl record album