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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Al Green's last secular album for Hi Records – but still a nice little cooker that's overflowing with Memphis soul! As with Green's previous set for Hi, the album's produced by Al himself, and not Willie Mitchell – in a style that's a bit rougher, chunkier, and almost funkier than the ... LP, Vinyl record album
Heavenly soul doesn't get any more heavenly than this! Al Green's at the height of his powers here – working in that wonderfully smooth, wonderfully warm style that made his early 70s material so wonderful! This album's maybe slightly less iconic than some of Green's other titles for Hi ... LP, Vinyl record album
It's the mid 70s, but Ann's still very much in classic form – with thanks to arrangements and production by Willie Mitchell and backing by Andrew Love, Wayne Jackson, and James Mitchell – and sultry, soulful vocals from Ann! There's a bit more of a groove-oriented production style here ... LP, Vinyl record album
A winning selection of some of Ann Peebles' best work for Hi Records – featuring stellar production by Willie Mitchell, and a stone-mellow Memphis soul approach to the music. Includes the great sample cut "I Can't Stand The Rain", plus "Walk Away", "Breaking Up ... LP, Vinyl record album
A great mix of modes – and a set that represents a real turning point in the career of Otis Clay! The rougher edges of Clay's Chicago soul are warmed up here substantially by producer Willie Mitchell – bubbling up some Memphis soul for Otis, in a style that's similar to some of his ... LP, Vinyl record album
An instant classic the day it was released – and a perfect blending of the group's older freaked-out style with a slick late 70s funk sound that started showing up in the work of many other groups. "One Nation Under A Groove" is a monster cut with a hook that won't quit, and the LP ... LP, Vinyl record album
A classic set of smooth 70s soul from an under-recognized genius! Phillip Mitchell is a bit like his Atlantic Records contemporary Sam Dees – in that he wrote a lot of material for other singers, recorded a handful of singles, and worked mostly in the southern scene – but he also had a ... LP, Vinyl record album
The only RCA album from Enchantment – and a great little set that has the group stretching out from their earlier records on United Artists! The groove here is still awash in the great harmonies we've always loved from the group – and production is by Don Davis, who always has a great ... LP, Vinyl record album
Maybe the last great album in the Ohio Players run for Mercury in the mid 70s – a set that's every bit as smooth, sexy, and funky as their other major label efforts from the time – and one that continued to refine the grittier funk of their roots! While the Players might be remembered ... LP, Vinyl record album
The Dramatics hit an 80s groove mood here – and as on their clubbier sides from the end of the 70s, the vocals are still wonderful – and more than anything, the set's a strong soul-based set that still has the group at the top of their game! Ballads actually sparkle the best here ... LP, Vinyl record album