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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great later record from Nat King Cole – kind of corny, but in a really great way – and in a style that ended up making the whole thing a real standout in Nat's last few years on the planet! The songs are mostly old-timey, but swung by Nat in this weird 60s version of nostalgia that ... LP, Vinyl record album
A nice moody one from Nat's later years – with arrangements by Gordon Jenkins, and unusual titles that include "No I Don't Want Her", "Where Did Everybody Go", "If Love Ain't There", "Someone To Tell It To", and "I Keep Goin Back To Joe's". LP, Vinyl record album
A great late album from Nat King Cole – one done with some wonderfully rich arrangements by Nelson Riddle, which unlock all the poise and class that Cole had developed during his 50s decade at Capitol Records! There's definitely a slight ear here towards the Johnny Mathis sound that was ... LP, Vinyl record album
A great one from Nancy Wilson – a set that has the singer working with full arrangements from Billy May, who's got this surprisingly subtle approach at times that works really well with the soulful currents in Nancy's vocals! The approach is almost more like Oliver Nelson, especially with ... LP, Vinyl record album
An important album by Nat King Cole – one that presented him in a live format, working in front of a very relaxed crowd at the Sands, expressing himself in a way that's quite different than some of his studio albums. The staid sound of Cole is opened up a bit here in the live set – a ... LP, Vinyl record album
Killer 60s work from Nancy! Despite the "easy" in the title, this record's a perfect batch of pop soul tunes – arranged by Jimmy Jones with a breezy style that works perfectly for Nancy's voice. The record features her big hit "Face it Girl, It's Over", which was ... LP, Vinyl record album
A great counterpart to Nancy Wilson's classic Hollywood My Way album for Capitol – and like that one, a classy set of tunes arranged and conducted by Jimmy Jones! The style is similar to Nancy's more pop-oriented work, with perhaps a bit more pause on the ballads to unlock their more ... LP, Vinyl record album
A very different album than usual for June Christy – one of her last for Capitol, and a very swinging, upbeat affair! As the title implies, June's singing a set of tunes made famous during the glory days of the big bands – tracks associated with Duke Ellington, Tommy Dorsey, Artie Shaw ... LP, Vinyl record album
A later Capitol gem by June – where she reprisies a number of classics from her early years with Stan Kenton – new versions of late 40s tunes, done here with Pete Rugolo arrangements that go a good way towards showing how both he and June had grown during the 50s. Titles include "H ... LP, Vinyl record album