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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An incredible early album from James Brown – featuring 16 raw R&B tracks culled from his early years at King – and virtually the blueprint for so many other great things to follow! "Please Please Please" was James' first big hit – and as you probably already know, ... LP, Vinyl record album
Kenny "Lemon" Lehman put together this classic set of dancefloor grooves for Prelude way back in the late 70s – and the album's typical of the great sort of "pick up" club combos the label was able to come up with. Instrumentation includes keyboards, vibes, horns, and ... LP, Vinyl record album
An incredible record – quite possibly our favorite ever by Marvin Gaye! The album is quite unique – written by Leon Ware, and recorded in collaboration with him – done as a "suite" of tracks based on themes of passion, joy, and new love – all of which were very ... LP, Vinyl record album
A killer from James Brown – and one of his best instrumental albums of the King years! The record has James working with the pre-JBs James Brown Band – a tight assemblage of players who really know how to craft an off-kilter groove. The guitar's popping on the beat here as much as the ... LP, Vinyl record album
Pure genius from the legendary Latimore – and a record that's a perfect illustration of the way the man could effortlessly mix blues roots, southern soul, and a whole new Miami groove for the 70s! The record is easily one of Latimore's best – and has these vocals that grab us right ... LP, Vinyl record album
A damn great little record from Clifford Coulter – a set that's much tighter and more soul-based than his earlier funk albums for Impulse Records – but which comes together beautifully, too – thanks to help from Bill Withers in the studio! Bill produced, and the record has this ... LP, Vinyl record album
Mindblowing funk from The Ohio Players – the group's debut album for Westbound Records, and a landmark batch of tracks that never gets old! The sound here really has the group stretching out a lot – working on tunes that are extended, but never as overindulgent as their labelmates ... LP, Vinyl record album
A strong second set from Musique – finally getting a chance to appear on their own albums, after the horror of the cover of their first one! The group's lost Jocelyn Brown by this time – but singers Denise Edwards, Mary Seymour, and Gina Taylor more than do a great job of holding onto ... LP, Vinyl record album
Nice collection of early 70's Gamble and Huff stuff, with a number of tracks that aren't too easy to find otherwise, like "Regina" by Bunny Sigler, "Stay With Me" by The Futures, "Super Groover" by Talk of the Town, "Slow Motion" by Johnny Williams, and " ... LP, Vinyl record album
Heavy heavy funk from the mighty Yvonne Fair – a 70s bad soul sister that we'd rank right up there with Betty Davis! Yvonne got her start working with James Brown in a sweeter mode, but by the time of this mid 70s debut, she'd hit a really hard-wailing sort of style – one that had the ... LP, Vinyl record album