This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
The Euro (€), Pound (£), and Japanese Yen (¥) prices listed here are all approximate prices, to be used for comparison purposes only.
They are updated every day based on currency rates quoted to us by our bank — but understand that the final rate charged to you by your bank may differ.
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If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Used CD Grade
We have only one grade for non-new CDs at Dusty Groove — "Used CD".
This grade is somewhat all-encompassing, but we choose it because we try to offer
Used CDs in the best shape possible. All of our Used CDs are guaranteed to play
without skipping or flaws. If you purchase a Used CD from Dusty Groove,
you have 1 week to play it to determine that it plays correctly — and if it does not,
then you may return it for a full refund.
With our Used CDs, you can expect the disc to be free of all but the lightest of
surface marks — clean, and not dirty at all. You can also expect the case to be
clean (we often change the cases ourselves — putting fresh cases on Used CDs we
handle) — and you can expect the booklet to be in good shape, unless noted
otherwise. We will list any specific details/defects underneath the item — so
look for notes on cutout marks in the case, stamps on the barcode, or details like that.
A killer date from two of the hippest tenors of the west coast scene in the 50s – Bill Perkins and Richie Kamuca – both musicians who worked in the cool school, but could also come across with plenty of soul! The album's got both tenors working head on – hitting counterpoint ... CD
A great set of soul jazz from McPherson – recorded live, with a rolling groove that's in the Blue Note mode of the mid 60s – but even more open overall! The group's got a lot of hometown talent from McPherson's native Detroit – including Barry Harris on piano, Lonnie Hillyer on ... CD
While actually not as electrifying as some of Dizzy's other albums from the time, this one's still pretty darn great, and features his great group with Leo Wright on alto and Lalo Schfrin on piano. The band grooves with a subtly Latinish vibe, and the tracks are nice and long long long. Titles ... CD
One of the best 70s albums by this funky organ player – quite different than his work for Blue Note, with a messier funkier edge that's very nice! Reuben Wilson's working with an all-hip lineup, with players who include Melvin Sparks on guitar, Garnett Brown on trombone, Bob Cranshaw on bass ... CD
As a friend of ours said recently: "How come he never sounds this good when he's been playing live recently?" Reason: the folks at Jazzateria have backed Reuben's funky organ with a nice production style that highlights his ability to lay down a funky solo, and which gives his playing ... CD
A masterpiece through and through from arranger Gil Evans – a record of swinging modern backdrops, used to showcase both the solo talents of a young Cannonball Adderley, and the dynamic energy of Evans himself! Cannon's sharp-edged early tone is a really great sound for the record – ... CD
An amazing set of work by John Coltrane – some of his best recordings ever, tracks that form a pivotal point between his later 50s work with Miles Davis and his mid 60s spiritual searching years. The set's unbelievably exhaustive – and includes every track that was ever issued by ... CD
Recent record from jazz percussionist Babatunde, and one that has a great lineup of famous guests, like Jon Faddis, Charnett Moffet, Hilton Ruiz, and Kenny Barron. The CD's on a small California label, and is a bit of a low-budget affair. But that doesn't keep it from being a strong session, ... CD