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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A really special record from a really special group – one of two sublime 70s gems from Azteca – a wicked blend of jazz, funk, Latin, and soul – all put together by a young Coke Escovedo! Coke's ostensibly the leader of the group, but there's also a richly collaborative feel going ... LP, Vinyl record album
Tight record of earlier Cumbia stuff, recorded by Columbia as part of their great Latin series from the early 60's (when the Catskills market was big enough to make it worthwhile for major labels to put this stuff out). And although the liner notes claim that the Cumbia's great because you can ... LP, Vinyl record album
Classic stuff from Cugie, with a mix of tracks in different rhythms – from mambo, to rhumba, to Afro-Cuban, to guaracha. Titles include "Bim Bam Bum", "Good, Good, Good", "Oye Negra", "Cuba Libre", and "Babalu". LP, Vinyl record album
Xavier Cugat takes on the tango mode, and handles it with his great flair for the dramatic – on titles that include "Charisse", "Orchids In The Moonlight", "Adios Muchachos", and "La Cumparsita". LP, Vinyl record album