An beautiful set of jazzy vocal numbers featuring backing from players who aren't often heard n this setting, by Benjamin, one of a small number of shining lights on the jazz vocal scene in the 80s. The group here includes Onaje Allan Gumbs on piano, Buster Williams on bass, Carlos Ward on reeds and either Billy Higgins or Ben Riley on drums, with Abdullah Ibrahim overseeing the set in the producer's seat. Although the numbers are nice and concise, the players get a chance to demonstrate the reaching, soul jazz approach that they're known for, really shining on Benjamin's "Liberation Suite" which makes up side one of the album, featuring her excellent number "Africa", plus "Nations In Me – New Nation A Coming" and "Children Of Soweto", while the second side is more traditional jazz numbers and standards, including "Till There Was You", "I'm Getting Sentimental Over You", "In A Sentimenal Mood" and "Daydream". © 1996-2018, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.