What a great album – and a real departure for Darin! Bobby D had mostly been a swinging schmaltzy singer up until this one – but his discovery of Tim Hardin, which seemed to coincide with a whole new feeling of mortality in Darin's work, catapulted the singer into a whole new era. Sure, you might want to say that Darin was a cash-in copycat for stealing so many of Tim Hardin's songs (5 of the 11 tracks on the record are by Hardin), but it's exactly that excess, and Darin's honest reading of the material that makes the album so compelling! Flesh it out with a bit more work by the likes of John Sebastian, Buffy St Marie, and Darin himself, and you've got a stunning bit of folksy vocals that's very much in the mode of Hardin's own work. Titles include "Reason to Believe", "Misty Roses", "The Girl That Stood Beside Me", "Red Baloon", "Don't Make Promises", and "Amy". (Sealed 60s pressing!) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.