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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A key album in the reintroduction of Coleman Hawkins in the late 50s – recorded in a style that still bears a lot of traces of earlier years, but at a time when Hawk was being claimed as a key influence by a variety of younger modernists! The set's got a sense of freedom that's really ... LP, Vinyl record album
A beautiful record – but that's no surprise, since most of the later work of Coleman Hawkins tends to be great! The setting is quite laidback – and Hawkins' time-weathered tenor is placed in a perfect setting with Tommy Flanagan on piano, Major Holley on bass, and Eddie Locke on drums. ... LP, Vinyl record album
A great collection of the obscure recordings that Hawk did for the Jazztone label in the mid 50s – sides that were not well packaged at the time, and often get confused with other work recorded for different labels. The tracks capture Hawkins at a wonderful period in his career – ... LP, Vinyl record album
An excellent session! The record's filled with soul, emotion, and most of all, a hell of a lot of creativity – enough to show that Coleman Hawkins was still a great force to be reckoned with, even when labels were sticking him into loose blowing sessions like this! The group features Kenny ... LP, Vinyl record album
Not a best-of, as you might guess from the title – but a really special set of late work from Hawkins – shorter numbers, but played with plenty of flair with a small combo that also includes Oscar Peterson on piano, Ray Brown on bass, Herb Ellis on guitar, and Alvin Stoller on drums! LP, Vinyl record album
Includes titles from two sessions – one in 1959 at the 1st Playboy Jazz Festivalwith Eddie Higgins, Bob Cranshaw, and Walter Perkins, and another in 1963 at The London House with Tommy Flanagan, Major Holly, and Eddie Locke. LP, Vinyl record album
A sweet little 50s session from Hawk – recorded for the World Wide subsidary of Savoy, in a great style that has plenty of room for solo space! Tracks are long, and arranged by Billy Ver Plank – with a moody small combo mode that lets Hawkins get in plenty of those edgey bits in his ... LP, Vinyl record album
Probably the most classic of Stitt's sides for Verve – and certainly the one that gets rated time and time again by jazz collectors. We think it's pretty darn great – although we always wonder why folks don't give Stitt's other sides for Verve as much of a chance, because they're all ... LP, Vinyl record album
The Modern Jazz Quartet make a rare appearance on Verve Records in the 50s – splitting half the album here with the classic Oscar Peterson Trio! The live performance was recorded in Chicago, and definitely has the MJQ working in a looser vibe than on some of their late 50s recordings for ... LP, Vinyl record album