This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
James Brown cooking it live – recorded (as the cover says) "at home in Augusta, Georgia with his bad self"! The groove here is a nice extension of earlier Apollo modes – one that shows the increasing funkiness of the James Brown Band, captured with a raw power that few other ... LP, Vinyl record album
Late 70s James, and a little bit more up-tempo and clubby funky, but still some decent stuff from The Godfather. Includes "Don't Stop the Funk", "Let the Funk Flow", "Stone Cold Drag", and "Are We Really Dancing". LP, Vinyl record album
Possibly the best instrumental album that James Brown cut for Smash! Unlike some of the other albums, this one features a set list that's mostly originals – and a number of tracks have a longer groove than usual, which lets James and the band stretch out instrumentally. Titles include " ... LP, Vinyl record album
One of the grooviest of the James Brown instrumental albums recorded for Smash. Unlike some of the other weaker albums on Smash, this one's got a great batch of material, most of which are originals, and not weak covers of pop tunes. Plus, the tracks are longer than usual, which gives the band a ... LP, Vinyl record album
An 80s collection of some of James' best King funk singles from the late 60's – with a monster set list that includes "I Can't Stand Myself When You Touch Me", "Don't Be A Drop Out", "Let Yourself Go", "Bring It Up", "Lickin Stick", "Give ... LP, Vinyl record album
Tremendous work from Little Willie John – one of those singers who always grabs our attention! Willie's light years ahead of most of his contemporaries here – already moving more towards soul than R&B, and really shaking himself free of any bluesy cliches. Most of the tunes ... LP, Vinyl record album
Great collection of the stormin' hard R&B work done by Tiny Bradshaw for King in the fifties. This is one of their 24 song "best of" comps from the 60's, but it has a great photo on the cover, and some of the craziest stompin stuff from the period. Most of this stuff was not on the ... LP, Vinyl record album
Killer R&B work from the legendary King Records – a set that features work from The Five Royales, Lula Reed, Bubber Johnson, Freddy King, Otis Williams, Little Willie John, The Dominoes, Hank Ballard, Earl King, and Wynonie ... LP, Vinyl record album
A classic set of hard rockin R&B from Hank Ballard and the legendary Midnighters – as raw a batch of vocal group tracks you'd be hard pressed to find! The album features plenty of tunes from their "Annie" cycle of songs – including "Work With Me Annie", "Ann ... LP, Vinyl record album