This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Great early sides for Emarcy – most recorded on the LA scene in the 50s, with players who include Herb Geller on alto, Conte Candoli on trumpet, Bud Shank on flute and alto, Bob Cooper on tenor, and Bob Gordon on baritone sax! LP, Vinyl record album
Dinah Washington, Terry Gibbs, Max Roach, & Others
One of the harder to find 50s sessions from LA jazz brothers Pete & Conte Candoli – a twin-trumpet album with rhythm from Jimmy Rowles on piano, Howard Roberts on guitar, Max Bennett on bass, and Frank Capp on drums! The tracks are a clean extension of mid 50s LA cool jazz – blown ... LP, Vinyl record album
A great lost date from the wonderful Gigi Gryce – a set that features the altoist in an sextet, but often swinging with a looser vibe than on some of his better-known albums from the 50s! There's a mix of soulful and modern here that's not unlike the Art Farmer/Benny Golson Jazztet – ... LP, Vinyl record album
One of Max's many great records from the late 50's, most of which tend to get overlooked in favor of his more experimental sessions. The group here includes Ray Bryant, Stanley Turrentine, Julian Priester, and Turrentine's great brother Tommy – and they're joined by Abbey Lincoln on vocals ... LP, Vinyl record album
First volume pulled together in the early 80s of Brownie's remarkable work with a smoking quintet that would record some of the finest bop sides issued on the Emarcy label. He's working here with Max Roach, George Morrow and Richie Powell and Harold Land as Brown's foil in the front line. 14 ... LP, Vinyl record album
A killer little set from bassist Chubby Jackson – a great example of why his groups were always some of the tuffest in large combo jazz at the time! The format here is a bit rough and ready – capped off with Chubby's bass in the lead, but barely able to contain the energy of a group ... LP, Vinyl record album
Early early work by Bob James – recorded years before his classic 70s sides on electric piano, and in a brightly modern mode that recalls the spirit of Steve Kuhn and Paul Bley at the time! The set's a trio session – produced by Quincy Jones, who'd heard the young James and rushed him ... LP, Vinyl record album
One of Pete Rugolo's greatest albums – and some of his most groundbreaking work away from Stan Kenton! The album features Rugolo arranging for a tight group of west coast reed players – including Bud Shank, Dave Pell, and Bob Cooper – and the tracks are angular, complicated, and ... LP, Vinyl record album
Soaring, spiritual jazz from Bobby Hutcherson – one of his soulful, modal killers for Blue Note in the 70s – and a record that's done in a style that's very similar to Bobby's work with Harold Land! This time around, Emanuel Boyd is on deck on tenor, flute, and soprano sax – ... LP, Vinyl record album
A beautiful dreamy album that's quite different from the classic Getz/Gilberto collaboration – but which also shares much of that set's lyrical beauty! This album was recorded live, in 1964, when Stan Getz was playing with his quartet that included Gary Burton on vibes – an incredible ... LP, Vinyl record album