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Sonny Stitt Swings The Most

LP (Item 38536) Verve, Late 50s — Condition: Very Good

There's no argument from us – because Sonny Stitt really does swing the most – but even more than that, what really matters to us is his amazing sense of tone, timing, and execution! The album's a near perfect example of a saxophone master at his height – a set that features Sonny blowing alongside the LA trio of Mel Lewis on drums, Lou Levy on piano, and Leroy Vinnegar on bass – but hitting all the tunes with a powerful, professional approach that makes us know he'd sound this great, no matter what the setting. The tunes are wonderfully understated, but offer up a casebook example of just how great jazz soloing can be when it's handled this well – never overdone or overblown, with notes that are improvised, but fall into place magically – as if they always knew where to belong in the first place! Titles include "Jaunty", "The Lonesome Road", "The Way You Look Tonight", "Blue Sunday", and "That's The Way To Be", with a tiny bit of vocal by Stitt!  © 1996-2020, Dusty Groove, Inc.
(MGM pressing. Cover has a cutout hole.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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