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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The soundtrack that put John Barry over the top – and to many, THE James Bond soundtrack! The album chills from the first notes of the haunting title theme – the majestic "Goldfinger", sung by Shirley Bassey with a tone that's as dangerous as a razor-sharp hat spinning ... LP, Vinyl record album
A fantastically beautiful record – easily one of Ennio Morricone's dreamiest scores of the 70s! Although the film itself is a western, Morricone's soundtrack is far different than usual – with hardly any traditional western themes at all, and mostly just music that's in that mellow, ... LP, Vinyl record album
As you can probably guess, the Al Kooper vocal tracks on this album aren't the greatest – unless you dig Al's proto-bluesy-soulful rock style. But there are some great instrumental tunes played by Al and The Landlords – a group that includes Eric Gale, Chuck Rainey, Joe Farrell, and ... LP, Vinyl record album
A compelling score from Angelo Lavagnino – one that features all the lush, romantic touches you'd know from his Italian work – but which also has plenty of Spanish inflections, too – all in support of the film's story of the painter Goya! There's definitely a sense of Hollywood ... LP, Vinyl record album
A groovy little soundtrack to this strange film that starred Sammy D & Peter Lawford – with some excellent mod tracks written by British jazzman Johnny Dankworth! The album ranks with Dankworth's best from the 60s – and the tracks have a punchy sound that mixes plenty of strong ... LP, Vinyl record album
What a movie! Bob Hope, Frankie Avalon, and Tuesday Weld on the same screen! But even better, the great Jimmie Haskell handled the music – and he comes up with some excellent touches that make the record groove a bit more than many of its contemporaries. Jimmy contributes some cool ... LP, Vinyl record album
John Barry did the score for this dark British film starring Dame Edith Evans as an elderly woman slowly succumbing to the "whispers" of old age. The music is far different than Barry's Bond work, with more of a sophisticated orchestral sound – filled with dark brooding passages, ... LP, Vinyl record album
Elmer Bernstein's theme to The Magnificent Seven is one of the standout soundtrack tunes of the 60s – an instantly recognizable number that you'll groove on right away, and which shows up often in Bernstein's soundtrack to this 1966 sequel to the original film. Tracks include "The ... LP, Vinyl record album
One of the greatest soundtracks ever – an archetypal album from French composer Francis Lai, and a record that set the tone for countless other imitations to come – yet which is still the best! The groove here is really unique – a spare blend of bossa influences, jazzy organ ... LP, Vinyl record album
One of the grooviest soundtracks ever written by Dominic Frontiere – for this strange little comedy starring Alan Arkin as a father who's trying to give his kids away! The tracks have a sweeping groovy approach – large orchestrations, sunny, bouncy, with some strings mixed in with ... LP, Vinyl record album