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A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
Will have marks across all parts of the playing surface,
and will most likely play with surface noise throughout.
May have some other significant flaws, such as residue, or a track that skips.
In most cases, a poor quality copy of a very difficult to find record.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Hard to imagine Etta Jones being lonely and blue – especially when she sounds as great as this! The album's one of Jones' early classics from Prestige – a date that really has her classing things up a lot, and drawing on bits of Billie Holiday and Dinah Washington's styles, to mix in ... LP, Vinyl record album
One of a few rare sides cut by vocalist Betty Roche – a really wonderful singer from the end of the 50s who should have been huge – at least given the quality of records like this! The delightful Roche's vocals are backed by a mellow quartet featuring Jimmy Neely on piano and Wally ... LP, Vinyl record album
A full LP issue of singles that Billie Holiday recorded for Decca during the mid and late 40s – all small group sessions, with occasional added instrumentation on small string sections, or vocals. The sides are a nice counterpoint to Billie's work for Verve and Columbia – as the ... LP, Vinyl record album
Great UK beat group grooves from the late 60's – featuring the amazing voice of Julie Driscoll and the hard Hammond organ sounds of Brian Auger! Auger's working here with his Trinity group – the small combo that had a firey Jimmy McGriff-like quality – as you'll hear on their ... LP, Vinyl record album
Grady's most obscure album – and one that's got much more of a jazzy tip than his other ones. Richard Tee plays electric piano, and the band includes Billy Butler, George Coleman, and Ron Carter – all of whom do their best to keep things hip, and not fall into some of the schmaltzier ... LP, Vinyl record album
Sarah Vaughan's most stripped-down session – a record that really does just have "plus 2" added to the lady's lovely vocals! Backing here are only by Barney Kessel on guitar and Joe Comfort on bass – accompanying Sarah in a moody, mellow, late nite mode that's far different ... LP, Vinyl record album
A great one from Nancy Wilson – a set that has the singer working with full arrangements from Billy May, who's got this surprisingly subtle approach at times that works really well with the soulful currents in Nancy's vocals! The approach is almost more like Oliver Nelson, especially with ... LP, Vinyl record album
Joe Williams is away from Count Basie here, but he's still sounding great – and getting a slightly warmer approach overall – in keeping with the promise of the title! The arrangements aren't credited on the notes, but they've got a slightly lusher feel than Basie – a bit more ... LP, Vinyl record album
Wonderful work from Leon Thomas – easily one of his greatest albums ever, and a set that was recorded at the same time he was working with Pharoah Sanders! Thomas really rose to fame on Sanders' classic "The Creator Has A Master Plan" – and this set really takes off from that ... LP, Vinyl record album
The Hi Fi in the title might imply that there's a bit more going on here arrangement-wise than on some of Dinah's other albums – but the scoring by Hal Mooney is still pretty straight, in a sophisticated jazzy mode that works best with the vocals, and which never overwhelms the singing for ... LP, Vinyl record album