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It's All One

LP (Item 38060) MPS (Germany), 1970 — Condition: Near Mint-

Amazing stuff – and one of the hippest records ever cut by pianist Friedrich Gulda! Unlike some of his other more modernist efforts, this one's got a really free swing to it – and it features a spare stripped-down approach that has Gulda's work on piano and "electra piano" backed only by the drums of Klaus Weiss. If you know Weiss' playing, you'll know that he's a heck of a player – one of the hardest swinging players in Germany during the 70s, with a rich range of styles that included funk, soul jazz, and hard bop playing. The best numbers on the album feature Gulda playing these amazing lines on "electra piano", with Weiss grooving underneath – either hitting a modal groove, a bossa one, or in some cases a freer beat to match Gulda's solos. The record kicks off with the four-part "Suite For Piano, Electra Piano, & Drums" – which has two great groovers, the "bossa nova" and "finale" section". Side two features the more avant "Meditation III", plus the excellent "Blues Fantasy", which starts out free, then rolls into a great modal funky part with great electric keyboard lines!  © 1996-2020, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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