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Something Else By Johnny Richards

LP (Item 380214) Bethlehem, 1956 — Condition: Very Good-

Some of the best work ever from one of the most under-acknowledged jazz composers and arrangers of the 50s! Johnny Richards is probably best known for his recordings with Stan Kenton in the early part of the decade – but when he moved out on his own, he developed a tremendous sound that was even richer, even more full of color and tone than Kenton's own – and which was often done without any arch-modern tones, yet still fresh and free of cliche. The album's one of Richards' first as a leader – and features a wonderful lineup filled with top-shelf players – including Charlie Mariano on alto, Richie Kamuca on tenor, Stu Williamson and Pete Candoli on trumpets, and Frank Rosolino and Milt Bernhardt on trombones – all players who really bring a bold sort of energy to Johnny's vibrant arrangements. The sax work alone is tremendous – cutting with a beautiful edge across the larger charts – and titles include "Waltz Anyone", "Turn Aboot", "Band Aide", "Dimples", and "Burrito Borracho".  © 1996-2021, Dusty Groove, Inc.
(Heavy mono red label pressing with deep groove. Cover has center splits in the spine and bottom seam, some wear and aging, and bumped corners.)

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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