CD, LP, Vinyl record album cover art
View larger image       Image note

Texas Twister

LP (Item 37900) Riverside, 1960 — Condition: Used
Out Of Stock

LP, Vinyl record album


4.90 5

One of the rarest albums by this great Texas tenor player! This heavy little gem was one of the few sides that Wilkerson cut under his own name – and it was the only one recorded away from Blue Note, as part of Cannonball Adderley's short-lived "Cannonball Presents" series. The core group features Wilkerson's Texas tenor right out front (a lot louder than on the Blue Note sides), set against the piano of Barry Harris, the bass of Leroy Vinnegar, and the drums of Billy Higgins. Nat Adderley plays cornet on a few tracks – and titles include "Jelly Roll", "The Twister", "Morning Coffee", "Idiom", and "Media". (Blue label Bill Grauer Productions pressing with deep groove and microphone logo. Cover has light wear and one light stain in a bottom corner.)  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested in


CD, LP, Vinyl record album cover art
Chicago – The Living Legends
Riverside, 1961. Near Mint-
A trad-revival set recorded on Chicago's south side in the early 60s – part of an excellent series on Riverside, seeking to re-discover some older jazz and blues greats who were languishing in the Windy City at the time! Junie C Cobb plays mostly piano on the date, but also sings on one ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Riverside, 1939. Near Mint-
Eight piano improvisations – recorded in 1939, issued here for the first time! LP, Vinyl record album
CD, LP, Vinyl record album cover art
Riverside, 1960. Good+
Budd Johnson was one of those players from the old days who was continually drawing praise from younger and hipper musicians – crediting Budd with a tone and talent that was forever an inspiration to them. Case in point is this 1960 session, issued as part of the hip Cannonball Adderley ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
New Orleans Clarinet
Riverside, 1920s. Very Good-
Seminal recordings of the trad clarinetist, recorded in Chicago in a variety of settings, mostly smaller bluesy groups of the sort that were inhabiting the south and west sides of town. Like Louis Armstrong, he supplanted his New Orleans style to Chicago, meshing it with the urban black musics ... LP, Vinyl record album
CD, LP, Vinyl record album cover art
Trio
Riverside, 1961. Very Good
An ultra-hip trio with a very unique approach – Billy Bean on guitar, Walter Norris on piano, and Hal Galor on bass! LP, Vinyl record album
CD, LP, Vinyl record album cover art
Sonny Meets Hawk!
RCA, 1963. Very Good
A startling meeting of two generations of tenor sax – recorded during one of Sonny Rollins' best periods on record, but featuring some even more amazing work from Coleman Hawkins! The album's proof that in his later years, Hawkins was a modernist who could match wits with the best players of ... LP, Vinyl record album
 



⇑ Top