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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
James Brown gets a new injection of life at the end of the 80s – thanks to a collaboration here with Full Force, who wrote, arranged, and produced the album! The groove here is often more in a Full Force mode than you might expect from James – a full-on 80s urban sound, filled with ... LP, Vinyl record album
A definite mother from James Brown – the kind of all-funky album that few of his contemporaries could ever hope to match! If you've ever doubted the sheer raw power of James at the end of the 60s, the first few notes of this one will definitely make you a convert – and the stretched-out ... LP, Vinyl record album
Raw soul, indeed – a term that could have been coined for James Brown's vocal approach, and which probably makes one of its first appearances here on a record! The album's kind of a grab bag of earlier sides that James recorded for King, but it's a perfect showcase for his amazing sound in ... LP, Vinyl record album
Tight swinging soul from Jay & The Techniques – very much in the style of their biggest hits, with that sparkling Jerry Ross production sound that always kept everything above the belt, nice and clean, with a smooth 60s groove! Arrangements are by Joe Renzetti and Jimmy Wisner, and the ... LP, Vinyl record album
One of the great albums of trippy soul that Jerry Butler cut with his Fountain Productions group of players, arrangers, and engineers – a group that borrowed a lot of talent from the Chess/Cadet studios of the late 60s. Jerry produced with Gerald Sims, and the arrangements were handled by ... LP, Vinyl record album
A killer classic from Jimmy Bo Horne – one of the sharpest male singers to work for the TK family of labels in the late 70s – and one who could really summarize all the greatness of Miami soul with a record like this! The album's got all the funky fullness of some of the larger TK ... LP, Vinyl record album
Massive massive Miami funk – and a record that seems to sound better and better as the years move on! Sure, KC and crew were a chart-topping act, but this first album's a stellar batch of heavy cuts – featuring great instrumentation on clavinet, conga, guitars, and horns – all ... LP, Vinyl record album
Nice mix of jazz and soul, with Earl Hines leading the group, and Weldon Irvine on piano and arrangements. The set's got a few nice originals, like "Love Love Love", "Understanding", and "I Can't Trust Myself". The best cuts are fast jazzy grooves, with a nice jazz ... LP, Vinyl record album