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Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the great ones – produced by David Axelrod, with HB Barnum arrangements, and sublime vocals by Lou, who's really at his best in this sort of setting! The album features 2 hip monologues – "Righteous Woman" and "Dead End Street" – plus the famous sung ... LP, Vinyl record album
One of the best albums that Lou Rawls cut with the team of HB Barnum and David Axelrod – that incredible duo who made some of his 60s Capitol albums so great! The style here is wonderful – upbeat grooves from Barnum – who brings more soul into Lou's music than before – ... LP, Vinyl record album
Not as hit-heavy as some of Lou's other albums for Philly International, but a nice batch of mellow jazzy soul tracks – with arrangements by Thom Bell, Bunny Sigler, Dexter Wansel, and others. Some of the tunes get nicely uptempo – hitting the warmer clubby modes that always worked ... LP, Vinyl record album
A killer – and one of our favorite Philly International albums ever! This is the album that broke Lou Rawls back into the mainstream for the smooth 70s – retuning his incredible voice with waves of soul and strings in the Gamble & Huff tradition – and giving him a whole new ... LP, Vinyl record album
Although Jerry Butler had the first hit with "Only The Strong Survive" – way back in the late 60s, when Gamble & Huff were using his career to first forge their new ideas of Philly soul, Billy Paul does a great job with the cut here, taking it into a smooth modern mode that ... LP, Vinyl record album
Nice obscure Jones Girls album that gives the ladies a good electro 80's groove. Kenny Burke wrote and produced the title cut, "Keep It Comin", which is a nice slammin' dancefloor track, with a feel that's similar to Kenny's own work from the time. He also handled a few other tracks on ... LP, Vinyl record album
Teddy Pendergrass – we love you! This is one of Mr. P's greatest albums of smooth mellow soul – recorded after he left Harold Melvin & The Blue Notes, and began working in a wonderfully warm solo style that had a huge influence on male vocal soul for years to come! The sound here ... LP, Vinyl record album
After working with Gamble & Huff on his big hits for Mercury in the late 60s, Jerry returned to work with the pair in the late 70s on their own Philly International label – stepping out with the same sweet groove that the Philly sound had brought to Lou Rawls, in a way that helped Butler ... LP, Vinyl record album
One of those records that really took Philly soul to the next level back in the 70s – a set that works amazing magic with the already-great harmonies of the O'Jays – pointing them even more strongly towards groove-heavy territory, while still keeping all the fragile, personal qualities ... LP, Vinyl record album
Probably not Paul's strongest record, but you can't deny his voice sounds great and we're never ones to argue with Gamble & Huff production. Recorded at Sigma Sound and features arrangements and productions by Dexter Wansel alongside Jack Faith and Gamble & Huff, this album still ... LP, Vinyl record album
The O'Jays keep on going strong – hitting a smooth mellow Philly vibe that takes them away from the style of their mid 70s hits! The sound here is a bit more uptempo than on the previous album So Full Off Love – but the group are still also really using the time to explore their ... LP, Vinyl record album
Teddy Pendergrass and crew get a bit more political than on earlier releases, and adopt the righteous bubbling soul groove that had put the O'Jays over the top a few years earlier – with incredible results! The title cut – "Wake Up Everybody" – would prove to be a great ... LP, Vinyl record album