This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprisingly nice set – done with the same depth that the A&M/Horizon series had brought to Paul Desmond's records of the time! Tracks are nice and long, and Desmond's alto sounds great – and it's wonderful to have Eugene Wright back on bass and Joe Morello on drums! Titles ... LP, Vinyl record album
Super-dope work from the great Wes Montgomery – set to excellent early CTI arrangements from Don Sebesky and Deodato! The groove is nice and airy – with Wes' guitar floating over the top, yet still present enough to ring out loud and clear on all the tightly plucked notes – and ... LP, Vinyl record album
A great little entry into a genre that got way too overdone and way too cluttered by the end of the 80s – but which was surprisingly fresh at the time of this initial release! The set pays tribute to the late Thelonious Monk, but does so by moving way past his modern jazz roots – and ... LP, Vinyl record album
Two top trumpet talents – coming together beautifully on this groovy late 70s set! Both Herb Alpert and Hugh Masekela had a big rise to fame in the 60s – Herb, for his Tijuana Brass albums on A&M – and Hugh, for the way that he brought South African jazz currents to the ... LP, Vinyl record album
One of the greatest Quincy Jones albums of all time! The record's a spacey jazz masterpiece – and it combine's Quincy's soulful soundtrack vision with the excellent production talents of Creed Taylor, for a monster album of long drawn out cuts that mix soul jazz with more sophisticated ... LP, Vinyl record album
A great album of smooth jazzy numbers recorded for CTI – with a nice luster that actually makes the album a lot more compelling than some of JJ and Kai's other work together. The album features some great big band arrangements of strong material, including Edu Lobo's "Casa Forte" ... LP, Vinyl record album
A nice album of funky tracks from the lesser-known of the Mangione brothers! The record has a very slick electric sound – with bass by Tony Levin and drums by Steve Gadd. Mangione plays Fender Rhodes and Arp – and the album features covers of "Love's Theme" and "This ... LP, Vinyl record album
One of the few albums cut by organist Bobby Pierce – and a surprisingly sweet set with a real 60s Prestige Records sort of groove! The style here is a bit like the great Don Patterson material from the time – very open, with a slight undercurrent of funk, but a groove that's more ... LP, Vinyl record album
A landmark album – even if it was the only session that Cannonball Adderley ever cut for Blue Note! The album was recorded at a time when Adderley was working with Miles Davis – and as such, the session features a group that includes Miles, blowing in a cool tone that's a perfect ... LP, Vinyl record album