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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
One of the odder 60s LPs from the Supremes, the soundtrack to a film that starred the group, with some guest appearances by The Temptations – in Motown-show versions of tracks that often feature the singers lapsing into medleys of other tunes, or doing some popular hits of the day. Titles ... LP, Vinyl record album
Quite possibly the best album ever from Ohio funky soul combo Switch – and certainly proof that the hope of Motown in the 80s was in ensemble group funk! This second album holds up really well, and thanks to some sweet production by Bobby DeBarge and Jermaine Jackson, the record's got a warm ... LP, Vinyl record album
A follow-up to 1970s pairing of The Supremes and The Four Tops – titled The Magnificent Seven (hence the title on this one!) – and done in a very similar mode. Back in the Diana Ross days, the Supremes had paired up with The Temptations on 2 great sets – and now, at a time in the ... LP, Vinyl record album
Early funk from the Commodores – back in the days when Lionel Richie could still get up and groove! We'll be the first to admit that we're sometimes put off by the group, given their later hits, but it's records like this that actually remind us how great they could be – a mixture of ... LP, Vinyl record album
Symphonic soul from The Supremes – a set that still has the trio working with the legendary Holland-Dozier-Holland team, but with a full set of orchestral backings that help them hit even more class and sophistication than before! The ballads have these really lush arrangements – never ... LP, Vinyl record album
A great little album from Diana Ross – maybe one of her lesser-known efforts with The Supremes, and a set that really points the way towards the solo years to come! One of the reasons for that is that the set really just features Diana out in the lead, with different backing singers behind ... LP, Vinyl record album
A sharp UK version – with tracks that include "Wild One", "Nowhere To Run", "Heatwave", "Dancing In The Streets", "My Baby Loves Me", "Come & Get These Memories", "You've Been In Love Too Long", "A Love Like ... LP, Vinyl record album
Not as huge as some of the Jacksons' other early 70s albums – but still pretty darn great! The original soundtrack to the group's TV special – and it's got some excellent numbers, plus a few odd tracks that are very nice. Bill Cosby, Rosey Grier, and Tommy Smothers all make a bit of a ... LP, Vinyl record album
Sweet electro soul from Force MDs – an early album for Tommy Boy that helped set the scene for a countless imitations to come! The record features a unique blend of older harmony soul (clearly referenced by the old school sweaters on the cover) and (then) current electro production – ... LP, Vinyl record album
A landmark album from Johnnie Taylor – a set that not only gave his career a giant boost, but which also helped shift southern soul into hip new territory in the late 70s! The music's a great change from Taylor's previous work at Stax – and the set features warm production from Don ... LP, Vinyl record album