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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Billy Preston's first album on A&M Records – a surprisingly great home for his ever-evolving style! Billy give some big thanks in the notes to George Harrison, Bobby Womack, and Quincy Jones – all of whom he credits for bringing the album into being – although it's Quincy who ... LP, Vinyl record album
The classic album of short funky Chicago soul dance tracks, recorded for Mar V Lus as the follow-up to Alvin's huge "Twine Time" single. Most of the cuts on here have the same sort of groove, and most of them were written by either Andre Williams or Monk Higgins, with the kind of hard ... LP, Vinyl record album
The second album by this legendary 70s funk combo – best known as Herbie Hancock's backing band, but sounding great here on their own. The album's much more of a solid soul effort than the first one – which was great, but felt more like Herbie had stepped out of the studio for a minute ... LP, Vinyl record album